Dear God Dear Bones Dear Yellow
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DEAR GOD. DEAR BONES. DEAR YELLOW.
What is political poetry? How does history become lived experience? What does it mean to bear witness through writing? Noor Hindi’s poems explore colonialism, religion, patriarchy and everything in between with sharp wit and innovative precision. Layered to reflect the intersections of her identity, while constantly interrogating this identity itself, her writing combines lyrical beauty with political urgency. This collection is ultimately a provocation―on trauma, on art, on what it takes to change the world.
Heaven Looks Like Us
A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the “power to narrate,” as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.
Sumud
An anthology that celebrates the power of culture in Palestinian resistance, with selections of memoir, short stories, essays, book reviews, personal narrative, poetry, and art. Includes twenty-five black-and-white illustrations by Palestinian artists. The Arabic word sumūd is often loosely translated as “steadfastness” or “standing fast.” It is, above all, a Palestinian cultural value of everyday perseverance in the face of Israeli occupation. Sumūd is both a personal and collective commitment; people determine their own lives, despite the environment of constant oppressions imposed upon them. This anthology spans the 20th and 21st centuries of Palestinian cultural history, and highlights writing from 2021–2024. The collection of writing and art features work from forty-six contributors including: Dispatches from Hossam Madhoun, co-founder of Gaza's Theatre for Everybody, as he survives the post-October 2023 war on Gaza; Novelist Ahmed Masoud with “Application 39,” a sci-fi short story about a Dystopian bid for the Olympics; Sara Roy and Ivar Ekeland with “The New Politics of Exclusion: Gaza as Prologue,” an analysis of Israel’s divide and conquer policies of fragmentation; Historian Ilan Pappé with a review of Tahrir Hamdi’s book, Imagining Palestine, in which he unpacks the relationship between culture and resistance; Essayist Lina Mounzer with “Palestine and the Unspeakable,” an offering on the language used to dehumanize Palestinians; And poetry by the next generation of poets who have inherited the mantle of the late Mahmoud Darwish (1941–2008). The essays, stories, poetry, art and personal narrative collected in Sumūd: A New Palestinian Reader is a rich riposte to those who would denigrate Palestinians’ aspirations for a homeland. It also serves as a timely reminder of culture’s power and importance during occupation and war.