Danish Yearbook Of Musicology 39 2012 13 33
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MUSIC AND DEEP MEMORY
Author: Bryan Carr and Richard Dumbrill
language: en
Publisher: Lulu.com
Release Date: 2018-08-06
This book is an homage to Ernest G. McClain and includes the following articles: Jean Le Mee: THE CHALLENGE OF ABUL WAFA; Leon Crickmore: CASTLERIGG: STONE OR TONE CIRCLE? Jay Kappraff: ANCIENT HARMONIC LAW; Sarah Reichart & Vivian Ramalingam: THREE HEPTAGONAL SACRED SPACES; Pétur Halldórsson: PATTERN OF SETTLEMENTS PACED FROM 1-9; Anne Bulckens: THE METONIC CYCLE OF THE PARTHENON; Jay Kappraff and Ernest McClain: THE PROPORTIONAL SYSTEM OF THE PARTHENON; Richard Heath: THE GEODETIC AND MUSICOLOGICAL SIGNIFICANCE OF THE SHORTER LENGTH OF THE PARTHENON; Richard Heath: ERNEST MCCLAIN'S MUSICOLOGICAL INTERPRETATION OF ANCIENT TEXTS; John Bremer: THE OPENING OF PLATO'S POLITY; Bryan Carr: ONTOLOGY INSIDE-OUT; Babette Babich: THE HALLELUJAH EFFECT; Pete Dello: MCCLAIN'S MATRICES; Richard Dumbrill: SEVEN? YES -- BUT ...; Howard Barry Schatz: THROUGH THE EYES OF PLATO; Gerry Turchetto: MEMORIES OF ERNEST G. MCCLAIN.
Music and Diplomacy from the Early Modern Era to the Present
How does music shape the exercise of diplomacy, the pursuit of power, and the conduct of international relations? Drawing together international scholars with backgrounds in musicology, ethnomusicology, political science, cultural history, and communication, this volume interweaves historical, theoretical, and practical perspectives.
Dowland
Author: Associate Professor School of Music Theatre and Dance K Dawn Grapes
language: en
Publisher: Oxford University Press
Release Date: 2024
Dowland recounts the story of one of the most important composers to emerge from early modern England. More than a biography, this book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). The narrative follows the master lutenist on his journeys to France, through the German and Italian lands, and to the Danish and English courts of Christian IV and James I, as he developed a musical style that was at once personal and cosmopolitan.