Dancing With The Devil
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Dancing with the Devil
IN AMERICAN GANGSTER, THE FEDS TOOK DOWN INFAMOUS HEROIN DEALER FRANK LUCAS. BUT THE KINGPIN BEHIND LUCAS’S CRIMINAL REIGN, LEROY “NICKY” BARNES, REMAINED “MR. UNTOUCHABLE.” UNTIL ONE UNDERCOVER AGENT PROVED TOUGH ENOUGH—OR CRAZY ENOUGH—TO INFILTRATE HIS DOMAIN AND NAIL THE MOST DANGEROUS DRUG CZAR IN AMERICAN HISTORY. Growing up in Red Hook, Brooklyn, where physical violence was a daily reality at home, at school, and on the streets, Louis Diaz had what it took to survive—and to one day become what he vowed to be: a man of uncompromising principles who is “compassionate on the inside, fierce on the outside.” These were the qualities, along with his street fighter’s steely nerves and hair-trigger temper, that drove Diaz from his savage beginnings and early forays in organized crime to become one of the DEA’s bravest undercover agents—the man who was instrumental in taking down some of the nation’s and the world’s most notorious crime rings. In an unforgettable and utterly engaging first-person narrative, Diaz tells his gritty, colorful, painful, and even humorous life story—a story with all the raw emotional power and bare-knuckle action of Wiseguy or Serpico. From his headline-making cases of Nicky Barnes and the Medellín cartel . . . to his account of outwitting a key villain linked to the record-breaking heist known as The Great English Train Robbery . . . to his all-out confrontations with murderous gunrunners and drug dealers on the mean streets of New York . . . to leading commando raids on clan-destine cocaine labs inside the Bolivian jungles, Dancing with the Devil is an explosive memoir that stands as a classic of true-crime literature.
Dancing with the Devil
He has recorded with the biggest stars in the music business. He wrote many of the hits that made Sean "Puffy" Combs one of the richest men alive. On the surface, the multi-million dollar empire that Puff built looks like the stuff of dreams. But after working with Puff for a decade, Curry discovered that Bad Boy Entertainment is not, as Puff promised, a place where dreams come true. No, rather it is a shell game comprised of contracts designed to rob artists of their time, dreams and publishing rights. [i]Dancing With the Devil[/i] reveals startling new details about key events in the fast paced, controversial (and sometimes deadly) world of Hip-Hop. In revealing the dark side of the industry, Curry hopes to provide a road map for reforms necessary to prevent artists ending up in poverty, in prison or in the grave.Mark Curry has appeared on the following albums:[i]Gangsta Shi-[/i][i]Dangerous MC's[/i][i]American Dream[/i]Mark Curry has appeared on the following singles:[i]Bad Boy for Life[/i]
Dancing with the Devil
The world has seldom been as dangerous as it is now. Rogue regimes—governments and groups that eschew diplomatic normality, sponsor terrorism, and proliferate nuclear weapons—threaten the United States around the globe. Because sanctions and military action are so costly, the American strategy of first resort is dialogue, on the theory that “it never hurts to talk to enemies.” Seldom is conventional wisdom so wrong. Engagement with rogue regimes is not cost-free, as Michael Rubin demonstrates by tracing the history of American diplomacy with North Korea, Iran, Iraq, Libya, the Taliban’s Afghanistan, and Pakistan. Further challenges to traditional diplomacy have come from terrorist groups, such as the PLO in the 1970s and 1980s, or Hamas and Hezbollah in the last two decades. The argument in favor of negotiation with terrorists is suffused with moral equivalence, the idea that one man’s terrorist is another man’s freedom fighter. Rarely does the actual record of talking to terrorists come under serious examination. While soldiers spend weeks developing lessons learned after every exercise, diplomats generally do not reflect on why their strategy toward rogues has failed, or consider whether their basic assumptions have been faulty. Rubin’s analysis finds that rogue regimes all have one thing in common: they pretend to be aggrieved in order to put Western diplomats on the defensive. Whether in Pyongyang, Tehran, or Islamabad, rogue leaders understand that the West rewards bluster with incentives and that the U.S. State Department too often values process more than results.