Dance In Protests
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Dance in Protests
""Dance in Protests"" illuminates the dynamic relationship between dance, social movements, and political action, revealing how embodied expression acts as a potent tool for resistance. This exploration of dance history highlights its crucial role in challenging oppressive systems and fostering solidarity within marginalized communities. The book emphasizes that dance is more than just an art form; it's a vital means of communication and community building. Discover how dance serves as embodied protest, directly confronting power structures and enabling individuals to voice dissent through movement and rhythm. The book examines dance as a means of reclaiming cultural identity, mobilizing collective action, and challenging dominant narratives. For instance, the book highlights how indigenous communities have historically used dance to preserve their heritage and resist cultural assimilation. Structured in three parts, the book first introduces the theoretical framework before presenting diverse case studies from different historical and geographical contexts. Finally, it analyzes dance's impact on shaping public opinion and creating lasting social change. Through historical accounts, ethnographic studies, and movement analysis, ""Dance in Protests"" offers a comprehensive overview of dance as a form of resistance. It provides valuable insights for students, scholars, activists, and artists interested in the intersection of performing arts, history, and social change, emphasizing the unique contributions of dance to social and political movements.
The Design of Protest
Author: Tali Hatuka
language: en
Publisher: University of Texas Press
Release Date: 2018-08-02
Public protests are a vital tool for asserting grievances and creating temporary, yet tangible, communities as the world becomes more democratic and urban in the twenty-first century. While the political and social aspects of protest have been extensively studied, little attention has been paid to the physical spaces in which protests happen. Yet place is a crucial aspect of protests, influencing the dynamics and engagement patterns among participants. In The Design of Protest, Tali Hatuka offers the first extensive discussion of the act of protest as a design: that is, a planned event in a space whose physical geometry and symbolic meaning are used and appropriated by its organizers, who aim to challenge socio-spatial distance between political institutions and the people they should serve. Presenting case studies from around the world, including Tiananmen Square in Beijing; the National Mall in Washington, DC; Rabin Square in Tel Aviv; and the Plaza de Mayo in Buenos Aires, Hatuka identifies three major dimensions of public protests: the process of planning the protest in a particular place; the choice of spatial choreography of the event, including the value and meaning of specific tactics; and the challenges of performing contemporary protests in public space in a fragmented, complex, and conflicted world. Numerous photographs, detailed diagrams, and plans complement the case studies, which draw upon interviews with city officials, urban planners, and protesters themselves.
Performing Citizenship
This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory. It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings.