Crisis Of The Real


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Crisis of the Real


Crisis of the Real

Author: Andy Grundberg

language: en

Publisher:

Release Date: 1990


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... His interpretations and critical views have helped shpae a broad understanding of photography's complex roles in art and in the media. This volume is the first compilation of his work.

Crisis of the Real


Crisis of the Real

Author: Andy Grundberg

language: en

Publisher:

Release Date: 1999


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Andy Grundberg is a former photography critic of "The New York Times whose interpretations and critical views have helped shape the contemporary understanding of photography's complex roles in art and in the media. Significantly expanded to include his writings to date, this book brings into focus the major debates in photography that have arisen over the last thirty-five years.

The Real Modern


The Real Modern

Author: Christopher P. Hanscom

language: en

Publisher: BRILL

Release Date: 2020-05-11


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"The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a “crisis of representation” stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule. Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles—Pak T’aewon, Kim Yujong, and Yi T’aejun—whose works confront this crisis by critiquing the concept of transparent or “empiricist” language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics. The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts."