Creative Practices For Visual Artists
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Creative Practices for Visual Artists
Author: Kenneth Steinbach
language: en
Publisher: Taylor & Francis
Release Date: 2018-03-09
Contrary to popular belief, the practice of art isn’t just a product of innate talent or artistic vision; artwork emerges from an intentionally constructed and maintained artistic practice. Developed from interviews with more than 75 mid-career artists, Creative Practices for Visual Artists examines the methods and approaches highly successful artists use to stay creatively robust for a lifetime. Offering practical strategies and concrete solutions, it also looks at the impacts of digital and social media, as well as recent changes in the educational system that can hinder the formation of a strong artistic practice. Artist and educator Kenneth Steinbach addresses key issues such as: the role of embodied research and non-objective experimentation; reframing one's approach to studio time; forms of productive conflict; the positive role of anxiety; and the importance of failure for the artist. The book will be useful to students and emerging artists, the instructors that teach them, and established artists looking to develop stronger studio habits. The companion website, www.creativepracticesbook.com, provides links to artists' websites and further information.
Visual Arts Work
This book provides the most comprehensive picture to date of work in the visual arts ecosystem in Australia. In a context where artists’ incomes are consistently low and falling, commercial galleries are financially vulnerable, and public galleries face program funding challenges — this book explores barriers to the economic health of the sector, the challenge of improving artists’ and arts workers’ working conditions, and the realities of being a creative in the twenty-first century. The book combines an analysis of art world economic value chains alongside alternative and emergent cultural, social and political economies with new quantitative and qualitative insights from artists and arts workers. With interdisciplinary methodologies and industry engagement, it examines multiple and hybrid systems of value and includes the perspectives of visual artists, craft artists and arts workers with diverse lived experiences. Our research offers greater insight into the social, cultural, and political forces that underly the mediation of art to the public including an urgent emphasis on gender, cultural safety and care work including the concerns of First Nations artists, culturally and linguistic diverse artists, and artists with disability. Our approach unpacks the diversity and hybridity of art ‘work’ to include practices realised through digitisation, internationalisation, community engagement and intersectoral partnerships.
The Routledge International Handbook of Practice-Based Research
The Routledge International Handbook of Practice-Based Research presents a cohesive framework with which to conduct practice-based research or to support, manage and supervise practice-based researchers. It has been written with an inclusive approach, with the intention of presenting deep and meaningful knowledge for the benefit of all readers. This handbook has been designed to present specific detail of practice-based research by outlining its shared traits with all forms of research and to highlight its core distinguishing features into a cohesive, principled and methodical approach. To this end, the handbook is presented in five sections: 1. Practice-Based Research, 2. Knowledge, 3. Method, 4. The Practice-Based PhD and 5. Practitioner Voices. Each section begins with a leading chapter that outlines each of the distinct areas as they relate to practice-based research. This is followed by a series of contributing chapters that discuss pertinent themes in more detail. Practitioners from a broad range of backgrounds will find these chapters helpful: research students or final year graduates will be introduced to the principled nature of practice-based research PhD researchers embarking on a research project or are in the flow of research will find this guidance supportive professionals such as designers, makers, engineers, artists and creative technologists wishing to strengthen their research into their practice will be guided through the principled and focused nature of practice-based research supervisors, managers and policy makers will benefit from the potential and rigour of practice-based researchers in the pursuit of new knowledge.