Craft Stories I Wrote For The Devil Pdf
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The Good Assassin
“The Good Assassin opens up Hemingway’s Cuba. Possessing Alan Furst’s attention for period detail and the deft character touches of John Le Carré, Vidich has quickly carved out a place for himself among the very first rank of espionage writers. It’s a masterful effort and the author’s best work to date.” —Michael Harvey, New York Times bestselling author of The Chicago Way “The Good Assassin is first-rate literary espionage…Author Paul Vidich has evoked not only the intrigue and brutality of Batista’s Cuba, but the island itself…a masterful work of noir fiction.” —Susan Isaacs, New York Times bestselling author of A Hint of Strangeness Paul Vidich follows up his acclaimed debut spy thriller An Honorable Man with “a keen historical adventure from the best noir tradition” (Elizabeth Kostova, #1 New York Times bestselling author) set in 1950s Cuba, as foreign powers compete to influence the outcome of a revolution. Former CIA Agent George Mueller arrives in Havana in August 1958, during the last months of dictator Fulgencio Batista’s reign, to look into the activities of Toby Graham—an in-country CIA officer suspected of harboring sympathies for the rebels fighting the unpopular Batista regime. Specifically, Mueller’s old friend Graham may be putting weapons into the hands of Castro’s forces, in bold defiance of the United States arms embargo on the island. But when Mueller uncovers a world of deceit as the FBI, CIA, and State Department compete to influence the outcome of the revolution in the face of the brutal dictatorship’s imminent collapse, he realizes that nothing and no one is what they seem. This is a powerful story of ideals, passions, betrayals, and corrupting political rivalries in the months before Castro’s march into Havana on New Year’s Day, 1959. As New York Times bestselling author Michael Harvey raves, “It’s a masterful effort and the author’s best work to date.”
Invisible Ink
Acclaimed by successful screenwriters and authors, Invisible Ink is a helpful, accessible guide to the essential elements of the best storytelling. Brian McDonald, an award winning screenwriter who has taught his craft at several major studios, supplies writers with tools to make their work more effective and provides readers and audiences a deeper understanding of the storyteller's art. When people think of a screenplay, they usually think about dialogue-the "visible ink" that is readily accessible to the listener, reader, or viewer. But a successful screenplay needs Invisible Ink as well, the craft below the surface of words. Invisible Ink lays out the essential elements of screenplay structure, using vivid examples from famous moments in popular movies as well as from one of his own popular scripts. You will learn techniques for building a compelling story around a theme, making your writing engage audiences, creating appealing characters, and much more. Praise for Invisible Ink: ..".If I manage to reach the summit of my next story it will be in no small part due to having read Invisible Ink." -Andrew Stanton (cowriter Toy Story, Toy Story 2, A Bug's Life, Monsters, Inc., and cowriter/director Finding Nemo and WALL-E) ..".Brian McDonald uses his deep understanding of story and character to pass on essential truths about dramatic writing. Ignore him at your peril." -Jim Taylor (Academy Award-winning screenwriter of Sideways and Election) ..". I recommend this fine handbook on craft to any writer, apprentice or professional, working in any genre or form." -Dr. Charles Johnson (National Book Award-winning author of Middle Passage) "If you want to write scripts, listen to Brian. The guy knows what he's talking about." -Paul Feig (creator of NBC's Freaks and Geeks, co-executive producer The Office) "With Invisible Ink Brian McDonald has written us a book to keep and heed forever because through the simple, graceful, graspable, original wisdom of it, we might just save our screenwriting lives." -Stewart Stern (Screenwriter of Rebel Without a Cause)
The Art and Craft of Feature Writing
Storytelling—how to catch and hold a reader’s interest through artful narration of factual material William E. Blundell, one of the best writers on one of America's best-written papers—The Wall Street Journal—has put his famous Journal Feature-Writing Seminars into this step-by-step guide for turning out great articles. Filled with expert instruction on a complex art, it provides beginners with a systematic approach to feature writing and deftly teaches old pros some new tricks about: · How and where to get ideas · What readers like and don’t like · Adding energy and interest to tired topics · Getting from first ideas to finish article · The rules of organization · How—and whom—to quote and paraphrase · Wordcraft, leads, and narrative flow · Self-editing and notes on style … plus many sample feature articles.