Copy Right

Music and Copyright

Copyright lies at the very heart of the music business. It determines how music is marketed, artists are rewarded, and all the uses to which their work is put. And copyright claims and counter-claims are the source of recurring conflict: Who wrote what and when? Who owns these sounds? What are you allowed to do with them? Disputes about copying and theft are becoming ever noisier with digital technology and the new possibilities of sampling and downloading and large-scale piracy. This book has been written to explain the copyright system to non-legal specialists and to show why copyright issues are so fascinating and so important. Copyright is analyzed as a matter of philosophy and economics as well as law. It is approached from the contrasting perspectives of composers, performers, producers and bootleggers. Copyright law is seen to be central to the relationship between the global entertainment industry and local musical practices. The questions raised here are not just about music. They concern the very meaning of intellectual property rights in the context of rapid global and technological change. And they are not just about big business. They impinge on all our lives.

Copyright Law

Compact Copyright

Included in Choice's Top 75 Titles and Resources for Community College Libraries Faculty, students, and colleagues come to you with copyright questions, both simple and complex. And they all want reliable answers—as fast as you can get them. With this guide, designed for ready access, you’ll be prepared to deliver. Lawyer, copyright librarian, and iSchool instructor Benson presents succinct explanations ideal for both on-the-fly reference and staff training. Copyright specialists will appreciate excerpts from the law itself alongside tools and resources for digging deeper. Practical discussions of key legal concepts, illustrated using 52 scenarios, will lead you to fast, accurate answers on a range of topics, such as barriers to using the TEACH Act provisions in content for online teaching; showing a full-length movie in a university class; public domain and the 1998 Sonny Bono Copyright Term Extension Act; your legal options when receiving a DMCA take-down notice; court interpretations of fair use in three key recent cases; Creative Commons licenses, complete with a quick reference chart; library rights to license photographs in a digital collection; using letters under copyright in a special collections display case; a grad student’s right to use in a thesis writing published in their professor’s journal article; applying the implied license option to post historical student dissertations in institutional repositories; the Marrakesh Treaty provision supporting transfer of accessible works internationally; and limiting factors for interlibrary loan.