Conversation Of The Three Wayfarers


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Understanding Peter Weiss


Understanding Peter Weiss

Author: Robert Cohen

language: en

Publisher: Univ of South Carolina Press

Release Date: 1993


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Examines the life & work of the playwright & novelist whose literary stature places him among Boll, Grass, & Frisch as one of the leaders of postwar German literature.

Marat/Sade ; The Investigation ; and The Shadow of the Body of the Coachman


Marat/Sade ; The Investigation ; and The Shadow of the Body of the Coachman

Author: Peter Weiss

language: en

Publisher: A&C Black

Release Date: 1998-01-01


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Peter Weiss (1916-1982) was virtually unknown in the mid-1960s when Peter Brook made Marat/Sade into a film. The weaving of time, space, plot, real-and-imagined characters, sexual liberation, and surrealist imagery made Marat/Sade a sensation. Little did audiences realize that this counterculture classic was written by a German Jew. At that time, Weiss was also at work on a play about Auschwitz: The Investigation. These two dramas are in this volume along with The Shadow of the Body of the Coachman. All are cogently introduced and edited by Robert Cohen.

An Introduction to the Works of Peter Weiss


An Introduction to the Works of Peter Weiss

Author: Olaf Berwald

language: en

Publisher: Camden House

Release Date: 2003


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Discusses Weiss's plays, fiction, autobiography, and non-fiction prose. Pp. 22-25 illuminate "Die Ermittlung", an oratorio based on Weiss's 1964 attendance at the Frankfurt war crimes trial. He used actual documents both aesthetically and politically. 18 of the defendants appear with their real names, either defending themselves with the jargon of doing their duty or totally denying their guilt. Among the charges against these Nazis were conducting medical experiments, torture, and murder. Ch. 7 (pp. 107-129) elucidates Weiss's three-volume novel "Die Ästhetik des Widerstands", about resistance to Nazism in thought and action. The characters in the novel are based on members of the Rote Kapelle resistance group. Politics and creative thinking (art) are shown as complementary, not contradictory.