Continuity Errors In Star Wars
Download Continuity Errors In Star Wars PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Continuity Errors In Star Wars book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Star Wars FAQ
Author: Mark Clark
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2000-01-01
From the books and movies that inspired George Lucas to imagine the Star Wars universe, to early screenplay drafts that were never filmed, to short biographies of many people who made key contributions to the movies' success, Star Wars FAQ explores every aspect of the original Star Wars trilogy (Star Wars, The Empire Strikes Back, and Return of the Jedi). Along the way, it unearths underreported stories and illuminating minutiae often skimmed over or completely ignored in other histories of the legendary film series. Highlights include details about the Star Wars Holiday Special debacle, the Ewok TV movies, the rise of Star Wars fiction and its importance in the revival of the franchise, and the wave of Star Wars imitators and parodies that flooded theaters and TV screens in the late 1970s and early 1980s – along with dozens of rare publicity stills and photographs of vintage memorabilia. Offering an original analysis of the series' enduring appeal and cultural impact, Star Wars FAQ tells a story as thrilling and action-packed as the movies themselves, with bold characters facing apparently insurmountable odds, full of frantic chases, narrow escapes, daring victories, and tragic setbacks, culminating in an unlikely triumph that changed the course of the galaxy – or at least of Hollywood.
Culture, Identities and Technology in the Star Wars Films
Released in May 1977, the original Star Wars movie inaugurated the age of the movie blockbuster. It also redefined the use of cinematic special effects, creating a new textual universe that now stretches through three decades, two trilogies and generations of fascinated viewers. The body of critical analysis that has developed from this epic focuses primarily on the Star Wars universe as a contemporary myth. However, like any fiction, it must also be viewed--and consequently analyzed--as a product of the culture which created it. The essays in this book analyze the Star Wars trilogies as a culturally and historically specific phenomenon. Moving away from the traditional myth-based criticism of the films, the essayists employ a cultural studies model to examine how this phenomenon intersects with social formations such as economics, technology, race and gender. Critical approaches are varied and include political and economic analysis informed by feminism, contemporary race theory, Marxism, new media studies and post-humanism. Among the topics covered are the connections between the trilogies and our own cultural landscape; the problematic issues of race and gender; and the thematic implications of Lucas' presentation of technology. Instructors considering this book for use in a course may request an examination copy here.
Worst Movie Sequels
Worst Movie Sequels investigates why some film sequels fail spectacularly, damaging the legacy of the original movies. Delving into creative bankruptcy and mismanagement of audience expectations, the book analyzes what makes a sequel fall short. For instance, some sequels repeat plotlines to diminishing returns, while others fundamentally misunderstand the original's appeal, leading to bizarre tonal shifts. The book argues that successful sequels must balance honoring the original film's essence with establishing their own identity. Using film reviews, box office data, and behind-the-scenes accounts, Worst Movie Sequels explores the decisions that led to these failures. By dissecting these cinematic missteps, readers gain valuable insights into avoiding common pitfalls in filmmaking. Organized thematically, each section focuses on a specific type of sequel failure, such as creative bankruptcy or studio interference. The book progresses from establishing evaluation criteria to analyzing specific failures and finally offering practical guidelines for filmmakers. This approach provides a comprehensive understanding of the complexities of sequel production.