Contested Objects From The Collection British Museum
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Contesting Human Remains in Museum Collections
Since the late 1970s human remains in museum collections have been subject to claims and controversies, such as demands for repatriation by indigenous groups who suffered under colonization. These requests have been strongly contested by scientists who research the material and consider it unique evidence. This book charts the influences at play on the contestation over human remains and examines the construction of this problem from a cultural perspective. It shows that claims on dead bodies are not confined to once colonized groups. A group of British Pagans, Honouring the Ancient Dead, formed to make claims on skeletons from the British Isles, and ancient human remains, bog bodies and Egyptian mummies, which have not been requested by any group, have become the focus of campaigns initiated by members of the profession, at times removed from display in the name of respect. By drawing on empirical research including extensive interviews with the claims-making groups, ethnographic work, document, media, and policy analysis, Contesting Human Remains in Museum Collections demonstrates that strong internal influences do in fact exist. The only book to examine the construction of contestation over human remains from a sociological perspective, it advances an emerging area of academic research, setting the terms of debate, synthesizing disparate ideas, and making sense of a broader cultural focus on dead bodies in the contemporary period.
The Parthenon Marbles Dispute
Author: Alexander Herman
language: en
Publisher: Bloomsbury Publishing
Release Date: 2023-09-21
Why are we still arguing over the Parthenon Marbles? This book offers a fresh take on the history of those famous pieces of ancient sculpture removed from the Acropolis in Athens by Lord Elgin's men in the early 19th century. It explains how they became the cause célèbre of the larger debates around cultural heritage and restitution now taking place. The subject is one that is currently embroiling museums, governments, universities and the public at large. Herman provides a balanced, thorough and critical account of the history of the Marbles, while considering the legalities of their initial removal and the ethics of their retention by the British Museum. It incorporates the views of curators, museum directors, lawyers, archaeologists, politicians and others in both London and Athens. It explains why this particular dispute has not been satisfactorily resolved, and suggests new ways of seeking resolution – for the Parthenon Marbles and for the many other cultural treasures held in museum collections outside their countries of origin. The book sets out a way forward for this famously intractable dispute, one based on evidence of past practice, legal rules around the transfer of cultural objects and the role of museums in negotiating international exchanges.
Cultural Appropriation
From the fashion label Dior being accused of cultural appropriation after using American Indian imagery in an ad campaign for its “Sauvage” fragrance, to the backlash against Kendall Jenner’s afro-esque hairstyle in Vogue, debates about cultural appropriation have reached a fever pitch. In this much-needed analysis of the phenomenon Aurélia Bardon and Jennifer Page step back and ask: when is cultural appropriation wrong and when are we right to criticize it? Their analysis of wrongful cultural appropriation centers on three questions: whether appropriation involves theft; whether it communicates disrespect; and whether it disregards requests made by marginalized groups about their cultural practices. Sometimes, they argue, it is structural injustice rather than individual wrongdoing that is at stake. They examine cultural appropriation’s political dimensions, asking whether the state should be neutral between appropriative and non-appropriative artistic expression. They contrast bans on wrongful cultural appropriation and the state’s using its expressive power as a speaker, spender, and educator to discourage it. They also consider the ethical questions that arise when cultural appropriation debates spur further debates about online shaming and cancel culture. Using cases from music, fashion and the arts, Cultural Appropriation: Wrongs and Rights will be of great interest to students and researchers in philosophy, politics and related subjects, such as race and ethnic studies, sociology, and cultural studies.