Constructions And The Analytic Field
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Constructions and the Analytic Field
Constructions and the Analytic Field questions the relationship between psychoanalysis, history and literature. Does the analyst help the analysand construct a narrative, or is their task more of a historical reconstruction? In seeking to answer this question, Domenico Chianese examines Freud's writing, beginning with 'Constructions in Analysis' and ending in 'Moses and Monotheism', as well as the impressions of analytic method reflected in contemporary writers such as Thomas Mann, and historical writings from both sides of the Atlantic. Drawing on vivid and persuasive clinical examples, he argues that psychoanalysis creates a 'scenic space' between analysand and analyst, a theatrical space wherein the cast of the patient's interior world enter and exit from the scene. Drawing on the rich Italian psychoanalytic tradition, this original approach to the analytic field will be of interest to psychoanalysts, historians and literary experts.
On Freud's Constructions in Analysis
In Constructions in Analysis Freud introduces the notion of constructions, different from interpretation, and considers it necessary - under certain conditions - to reconstruct a part of the infantile history of the subject. The difference between construction and reconstruction as well as which should be the limit of the intervention of the analyst in order to avoid a proposal far removed from the patient discourse, are a part of present debates on this subject. The editors, together with the contributors to this volume, accepted the challenge to consider Freudian ideas and its implications nowadays.
Constructions and the Analytic Field
Constructions and the Analytic Field questions the relationship between psychoanalysis, history and literature. Does the analyst help the analysand construct a narrative, or is their task more of a historical reconstruction? In seeking to answer this question, Domenico Chianese examines Freud's writing, beginning with 'Constructions in Analysis' and ending in 'Moses and Monotheism', as well as the impressions of analytic method reflected in contemporary writers such as Thomas Mann, and historical writings from both sides of the Atlantic. Drawing on vivid and persuasive clinical examples, he argues that psychoanalysis creates a 'scenic space' between analysand and analyst, a theatrical space wherein the cast of the patient's interior world enter and exit from the scene. Drawing on the rich Italian psychoanalytic tradition, this original approach to the analytic field will be of interest to psychoanalysts, historians and literary experts.