Conforama Cuisine Irina
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The Friendly Dickens
You might have read him in class, but the Victorians read Charles Dickens like we watch Melrose Place, and The Friendly Dickens will show you why. It is the ultimate pop reference to the Dickensian world of shrouded sex and ostentatious death, a book that will have you running in delight to dust off your Dickens.Norrie Epstein--whose The Friendly Shakespeare was called by The New York Times "spirited, informative and provocative"--opens up Dickens's life and times in all its squalor and glory, including his rise to greatness and occasional lapses from grace. She considers his works, major and minor, in decided lively fashion, not just reading, but reading between the lines:* Was Oliver Twist's Fagin a pederast?* What made A Christmas Carol's Tiny Tim so darn tiny?* How many of Dickens's child characters met an untimely end? (Hint: plenty.)Full of humor, skepticism, and expert opinions, with eye- catching illustrations, plenty of quotes, and sidebars on nearly every page, you will quickly become a Dickens authority--even if you've never read a word.
Hito Steyerl: I Will Survive
A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Artand The Wretched of the Screen Over the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image.
Atelier Bonnet Architects
From a watch to a pavilion, from urban furniture to infrastructure, from landscape design to apartment buildings: since the founding of Atelier Bonnet in the year 2000, the work of Pierre and Mireille Bonnet, covering a wide range of themes and scales, is conceived in a spirit of interaction and complicity. In the face of such a diversity of works, the monograph concentrates on a series of exemplary residential buildings, which document the skillful handling of this fundamental building task. In their most recent works, the architects have also occupied themselves intensively with the use of exposed concrete and with questions of tectonics. The resulting sculptural design and the abstract language of these objects provide further examples of a highly sensitive architecture, with an undeniable artistic dimension.