Complete Transcript Of Ed Geins Confession
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Complete Transcript of Ed Geins Confession
THIS MASSIVE 8.5 X 11 PERFECT BOUND BOOK CONTAINS THE COMPLETE TRANSCRIPT OF SERIAL KILLER EDWARD GEIN'S CONFESSION. OVER 220 PAGES OF RARE POLICE DOCUMENTS.
The Devil Long Caged
A serial killer stalks the city of Albany. His depraved methods are unlike any the police had experienced. Detective Reina Savanna Rodriguez Santiago is intent on catching him. Each day she endeavors to draw steadily nearer to the truth. Yet, solving this case will require giving more of herself than originally expected. The bodies pile up and the killer leaves behind clues. Yet, the savvy detective is without a lead. With each case the anonymous predator draws Reina in. He plays a one-sided game, preying on innocent citizens. Reina’s plight to unmask the killer’s identity may lead her to suffer down a dark path. To solve the case, Reina may be called upon to discover what it was that severed within him the provinces of good and evil, lest she advance infallibly in a rueful direction.
Dead Blondes and Bad Mothers
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once