Colineserreau
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Coline Serreau
Author: Brigitte Rollet
language: en
Publisher: Manchester University Press
Release Date: 1998
This is an appraisal of the work of Coline Serreau, situating her films within the social, cultural and political context of France since May 1968, and assessing the impact of women's movements on French society and culture.
#colineserreau
Dans ce livre en forme de Mémoires fragmentaires, Coline Serreau se raconte pour la première fois. Elle lance des pistes de réflexion sur notre société, évoque ses influences artistiques, sa famille, son combat en faveur des femmes et de l'écologie, ses créations (La Belle Verte, La Crise...), les sujets qui la révoltent et ceux qui lui donnent du bonheur. Créatrice aux nombreuses facettes, à la fois cinéaste, metteur en scène de théâtre et d'opéra, auteure, actrice, compositrice...0c'est dans la peinture, la musique et la nature qu'elle trouve l'inspiration.En vingt-trois hashtags lancés à l'attention du lecteur, Coline Serreau dessine les contours de ce qui a façonné son parcours et sa réflexion : ses ancêtres et ses maîtres, Freud, Bach, Rembrandt, mais aussi l'école de Marguerite Soubeyran à Beauvallon, le cinéma, le théâtre, le cirque, l'opéra... Autoportrait kaléidoscopique d'une artiste et d'une femme engagée.
A Companion to Contemporary French Cinema
A Companion to Contemporary French Cinema A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Featuring contributions from an international cast of established and emerging scholars of French cinema, these innovative essays highlight the diversity of French films and filmmaking techniques that have emerged since the New Wave era. Themes and topics covered include the social, political, and cultural contexts of recent French cinema; contemporary filmmakers and performers; genres, cycles, and cinematic forms; gender and sexuality; and emerging trends and innovative new filmmaking forms. Among the French films examined in depth are hit comedies including Bienvenue chez les Ch’tis and Intouchables, blockbusters such as The Crimson Rivers, police films like 36th Precinct, historical films such as Farewell My Queen and Days of Glory, celebrated animated features such as Kirikou and the Sorceress, films representative of the “new French extreme,” such as Romance, Baisemoi, and Trouble Every Day, and numerous auteur films ranging from Bruno Dumont’s Hors Satan and François Ozon’s shorts to Pascale Ferran’s Lady Chatterley and Alain Guiraudie’s L’Inconnu du lac. Combining cutting-edge scholarship with wide-ranging methodological approaches and perspectives, A Companion to Contemporary French Cinema is an invaluable resource for students and scholars of French film, as well as all those interested in the evolution of this celebrated cinematic tradition.