Cloud Nine Studio

The In-Between Artist

The successes and struggles of influential twentieth century artist Tony D'Orazi are detailed in this first-ever biography, The In-Between Artist: The Story of Tony D'Orazi, from his early years as a child prodigy in Missoula, Montana, to his ascension into an award-winning artist by way of New York City and Chicago and his days working for Disney to ultimately becoming the radio and television personality known as Uncle Tony O'Dare, "the first cartoonist of the air." Tony's personal struggles would repeatedly attempt to derail his artistic ambitions, but the art would always find a way to persevere. Along his ascent, he would also meet his true love, whom he formed a vaudeville act with, which found them entertaining crowds across America. From there, he became a husband and father of four, who constantly struggled to find balance between his roles as a visual artist and family man, all while battling with severe bouts of mental illness. This is a portrait of an artist and entertainer which also includes later chapters of his life, in which he went on to become a successful salesman and character actor, all while still pursuing his need to create. In the end, despite all these roles he played and the countless hurdles he faced, Tony remained an artist in between. Ultimately, his story proves that no matter what obstacles he faced, his art always found a way.

From Soul to Hip Hop

The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchard?s introduction gives a detailed overview of the book?s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.

Livingston's Complete Music Business Directory Series