Clean Room Vol 3 Waiting For The Stars To Fall
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Clean Room Vol. 3: Waiting for the Stars to Fall
"Superstar writer Gail Simone and artists Walter Geovani and Sanya Anwar bring the first arc of one of the most terrifying tales ever published by Vertigo to a close in CLEAN ROOM VOL. 3: WAITING FOR THE STARS TO FALL. Astrid Mueller, the famed pulp novelist turned New Age guru, knows the secret horror that lurks beneath the surface of the world. She can see the vicious Entities pecking and clawing their way into our reality, sowing hatred and cruelty and death out of sheer sadistic glee. She has dedicated her life to developing tools, technology and an army of believers to stop them. But now the final hour is here, and Astrid is out of action. Her closest friends and followers have been compromised, her headquarters is the site of a mind-numbing bloodbath—and that’s just a taste of the unspeakable evil that will soon engulf the world. Can Astrid and her allies rally enough strength to stop this all-out assault and save what remains of humanity? Or will the power of the Clean Room be twisted into the ultimate weapon of defilement? Collecting CLEAN ROOM VOL. 3 collects CLEAN ROOM issues #13-18 of the acclaimed series."
Clockwork Planet: Volume 3
"--Are you telling me that it's an enormous electromagnet?!" In the wake of rescuing the mindcontrolled AnchoR, moments later, Naoto and Marie come to a rude awakening over a crucial element of the behemoth's design: its natural ability to disrupt clockwork technology! Caught between a desperate Tokyo Military and a doomsday weapon stronger than even they anticapted, the two geniuses are facing their greatest crisis yet! The third volume of the gear fantasy by Yuu Kamiya x Tsubaki Himana x Sino!!
Orson Welles, Volume 3: One-Man Band
• A New York Times Book Review Editors’ Choice • The third volume of Simon Callow’s acclaimed Orson Welles biography, covering the period of his exile from America (1947–1964), when he produced some of his greatest works, including Touch of Evil In One-Man Band, the third volume in his epic and all-inclusive four-volume survey of Orson Welles’s life and work, the celebrated British actor Simon Callow again probes in comprehensive and penetrating detail into one of the most complex, contradictory artists of the twentieth century, whose glorious triumphs (and occasional spectacular failures) in film, radio, theater, and television introduced a radical and original approach that opened up new directions in the arts. This volume begins with Welles’s self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money raising. By 1964, he had filmed Othello, which took three years to complete; Mr. Arkadin, the most puzzling film in his output; and a masterpiece in another genre, Touch of Evil, which marked his one return to Hollywood, and like all too many of his films was wrested from his grasp and reedited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, of which his 1955 London Moby-Dick is considered by theater historians to be one of the seminal productions of the century. His private life was as spectacularly complex and dramatic as his professional life. The book reveals what it was like to be around Welles, and, with an intricacy and precision rarely attempted before, what it was like to be him, answering the riddle that has long fascinated film scholars and lovers alike: Whatever happened to Orson Welles?