Clause Combining In Ancient Greek Narrative Discourse
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Clause Combining in Ancient Greek Narrative Discourse
This study describes the usage of subclauses and participial clauses in Xenophon’s Hellenica and Anabasis, with additional examples from other texts, using a text grammar-oriented approach, which can map more factors underlying the distribution of these clauses, and offers a more satisfactory explanation of a larger number of instances than is possible using the traditional sentence-level approach. The discourse-analytic description of the different clause types focuses on how relations are coded by means of subordinating conjunctions, the differences in form and function as discourse boundary markers between preposed, sentence-initially placed subclauses and participles, and the differences between clause types with respect to the information flow in on-going discourse. The discussion of many examples from the work of Xenophon makes this book interesting for both linguists and classical philologists.
Flavian Poetry
The reign of the Flavian emperors (69-96) saw the production of a large and varied body of Latin poetry: the epics of Valerius Flaccus, Silius Italicus and Statius, the Silvae of the same Statius, and the Epigrams of Martial. This poetry, long seen as derivative or decadent, is now increasingly appreciated for the daring originality of its responses both to the Latin literary tradition and to the contemporary Roman world. In the summer of 2003, the first-ever international conference on Flavian poetry, was held at Groningen, The Netherlands, bringing together leading scholars in the field from Europe, North America and Australasia. This volume offers a selection of the papers delivered on that occasion.
Singing Alexandria
This volume investigates the transmission and ancient reception of ancient Greek texts with musical notation. It provides a reconstruction of the dynamics of reception orienting the re-use and re-shaping of musical and poetic tradition in the entertainment culture of the post-classical Greek world. The study makes full use of literary, papyrological and epigraphic evidence, and in particular includes a detailed philological analysis of surviving musical papyri and of their relationship to the editorial activity of Alexandrian scholarship. The study helps to relocate musical documents in the world of their production and reception.