City Lights Review

City Lights

On a San Francisco street corner in 1953, aspiring painter and poet Lawrence Ferlinghetti shook hands with sociology instructor and magazine editor Peter Martin. Their handshake sealed Ferlinghetti’s five-hundred-dollar investment in a small retail space above a North Beach flower shop that would become City Lights Bookstore and Press. Since the mid-twentieth century, the bookstore and its press have continued to shape the way literature is produced and consumed. As the first-ever all-paperback bookstore in the nation, sponsor of the Beat Movement and the San Francisco Renaissance, home of the Pocket Poets series, torchbearer for free speech movements, and promoter of global comparative literature and human rights, City Lights has continuously been at the avant-garde of literary experimentation and cultural revolution. City Lights: Lawrence Ferlinghetti and the Biography of a Bookstore is the seminal story of the bookstore, its press, and the inimitable Ferlinghetti.

City Lights Review

Film Clowns of the Depression

The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).