Circular Journey Ticket Rules Lakshman Jhula
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Religious Journeys in India
Author: Andrea Marion Pinkney
language: en
Publisher: State University of New York Press
Release Date: 2018-08-20
In an increasingly global world where convenient modes of travel have opened the door to international and intraregional tourism and brought together people from different religious and ethnic communities, religious journeying in India has become the site of evolving and often paradoxical forms of self-construction. Through ethnographic reflections, the contributors to this volume explore religious and nonreligious motivations for religious travel in India and show how pilgrimages, missionary travel, the exportation of cultural art forms, and leisure travel among coreligionists are transforming not only religious but also regional, national, transnational, and personal identities. The volume engages with central themes in South Asian studies such as gender, exile, and spirituality; a variety of religions, including Sikhism, Islam, Buddhism, and Christianity; and understudied regions and emerging places of pilgrimage such as Manipur and Maharashtra.
Along the Path (3rd Edition)
Along the Path (3rd Edition) is full of practical and inspiring information for meditators who plan to visit the sacred sites where the Buddha and his disciples lived and taught in India and Nepal. In this unique guidebook, readers will discover a rich anthology of stories relating to each of the sites, as well as helpful maps, creative artwork, and spiritual narratives from experienced travelers. Each site entry includes insider information and tips with detailed descriptions of transportation, accommodation, and local cuisine; suggested excursions and activities in the vicinity; and highlights of established Vipassana meditation centers best suited to accommodate visiting meditators. This third edition has been updated and revised to feature "off the beaten path" pilgrimage sites throughout India, newly constructed Vipassana centres, and additional stories from the Pali canon. Contents include: - Detailed descriptions of each of the sites, including insider information on what to see and tips on transportation, accommodation and local cuisine. - Suggested excursions and activities in the vicinity of both ancient and modern sites. - Highlights established Vipassana meditation centers that are best suited to accommodate visiting meditators. - Includes an in-depth travel section to help meditators prepare for a safe launch from home and cultivate cultural sensibilities. - The essential companion for every meditator visiting India and Nepal.
Grounds for Play
Author: Kathryn Hansen
language: en
Publisher: Univ of California Press
Release Date: 2023-12-22
The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives. Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media—records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange. The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In “/DIV