Christian Faith In The Byzantine And Medieval Worlds

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Christian Faith in the Byzantine and Medieval Worlds

This is an accessible two-part introduction to key periods of Christian history. Faith in the Byzantine World For many people the Byzantine world is an intriguing mystery. Here, Mary Cunningham presents readers with an ideal guide to this most fascinating of empires. Covering the period between 330 and 1453, the author begins by providing an outline of the history of the Byzantine Church, and then looks at key aspects of its outward expression, including the solitary ideal; holy places and holy people; service to the community; the nature of belief; and art, architecture and icons. Faith in the Medieval World The medieval period constituted a turbulent stage in religious history. Gillian R. Evans begins her immersive account by providing an overview of the development of Christianity in the West in the Middle Ages, before looking at key aspects of medieval faith: the Bible and belief; popular piety and devotion; the Crusades and the idea of 'holy war'; politics and the Church; rebellion against authority; and the road to Reformation. This analysis is a must for all those keen to understand one of the most enthralling periods of history.
An Obscure Portrait

Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
Christian Thought in the Medieval Islamicate World

Author: Salam Rassi
language: en
Publisher: Oxford University Press
Release Date: 2022-02-01
Christian Thought in the Medieval Islamicate World: ʿAbdīshōʿ of Nisibis and the Apologetic Tradition is the first monograph-length study and intellectual biography of ʿAbdīshōʿ of Nisibis (d. 1318), bishop and polymath of the Church of the East. Focusing on his works of apologetic theology, it examines the intellectual strategies he employs to justify Christianity against Muslim (and to a lesser extent Jewish) criticisms. Better known to scholars of Syriac literature as a poet, jurist, and cataloguer, ʿAbdīshōʿ wrote a considerable number of works in the Arabic language, many of which have only recently come to light. He flourished at a time when Syriac Christian writers were becoming increasingly indebted to Islamic models of intellectual production. Yet many of his writings were composed during mounting religious tensions following the official conversion of the Ilkhanate to Islam in 1295. In the midst of these challenges, ʿAbdīshōʿ negotiates a centuries-long tradition of Syriac and Arabic apologetics to remind his readers of the verity of the Christian faith. His engagement with this tradition reveals how anti-Muslim apologetics had long shaped the articulation of Christian identity in the Middle East since the emergence of Islam. Through a selective process of encyclopaedism and systematisation, ʿAbdīshōʿ navigates a vast corpus of Syriac and Arabic apologetics to create a synthesis and theological canon that remains authoritative to this day.