Chirakumar Sabha
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Rabindranath Tagore
This Monograph Offers A BirdýS Eye View Of A Baffling, Breathtaking Creativity Of Tagore. A Renaissance Figure, Stupendous In Vigour, Volume And Variety Rabindranath Tagore Put India On The Literary Map Of The World. Essentially A Poet, He Was Many Other Things Besides Being A Poet: Dramatist, Writer Of Sort Stories, Novelist, A Social, Political, Religious, Aesthetic Thinker, Innovator In Education, Rural Reconstruction, Champion Of The One World Idea.
The Politics and Reception of Rabindranath Tagore's Drama
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
language: en
Publisher: All India Radio (AIR),New Delhi
Release Date: 1940-12-07
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-12-1940 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 98 VOLUME NUMBER: Vol. V, No. 24 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1891-1954 ARTICLE: 1. The Overseas Service of the BBC* 2. Whither Indian Music? 3. Christmas Broadcasts 4. Dacca: A Year Of Broadcasting Service 5. The Hill Of The Holy Beacon 6. Microphone Personalities-2 F.C. Cross AUTHOR: 1. F. W. Ogilvie 2. Dr. Arnold Bake 3. Unknown 4. Unknown 5. Unknown 6. Unknown KEYWORDS: 1. Ceylon, B. B. C, Churchill 2. Music, Ragas 3. Good Cheer, Goodwill, Christmas Broadcast, AIR, Aeolian Male Quartet 4. East Bengal, AIR Dacca, Bhatiali, Radio Searchlight 5. South India, Kartikai Festival, Tiruvannamalai 6. Radio Broadcaster, Madras Station, F.C.Cross Document ID: INL-1940 (J-D) Vol- II (12)