Chinese Apples
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Investment in Processing Industry Turns Chinese Apples Into Juice Exports
This is a print on demand edition of a hard to find publication. Profiles the remarkable growth in China¿s apple juice concentrate exports since the 1990s and analyzes the factors behind the boom. Investment in the juice processing industry brought apples from China to the world market in the form of apple juice concentrate. The U.S. is the largest buyer, and concentrate from China now accounts for two-thirds of the U.S. apple juice supply. China¿s juice industry sustained its dramatic growth by expanding into the country¿s hinterland with support from officials eager to develop the poor northwestern region. In recent years, rising apple prices have begun to act as a brake on the industry¿s expansion, and the industry faces challenges in improving the quality of apples used for juice processing. Charts and tables.
Chinese Apples
Now in paperback: the “lovely and evocative book” (San Francisco Chronicle) of poems both new and old that celebrates a quarter century of passionate engagement with real life and its transformation into poetic form: the pull of faith and the poet’s suspicion of transcendence, urban worlds and the mysterious jazz of street language, desire and sexual need, love and loss.
Crazy Melon and Chinese Apple
Author: Frances Chung
language: en
Publisher: Wesleyan University Press
Release Date: 2000-12-18
Two previously unpublished collections by an important Chinese American poet depict daily life inside New York's Chinatown and across the Chinese diaspora during the 1960s and 70s Frances Chung's poetry stands alone as the most perceptive, aesthetically accomplished, and compassionate depiction of a supposedly impenetrable community during the late 1960s and 70s. Written "For the Chinatown People" and imprinted with Chung's own ink seal, Crazy Melon is collects brief poems and prose vignettes set in New York's Chinatown and Lower East Side. Chung incorporates Spanish and Chinese into her English in deft evocations of these neighborhoods' streets, fantasies, commerce, and toil. The title of her second collection, Chinese Apple, translates the Chinese word for pomegranate: there she offers "small crimson bites" of new themes and cityscapes — delightfully understated eroticism, tributes to other poets, impressions of other Chinese diasporic communities during her travels in Central America and Asia. Its new formal experiments show that Chung's poetic prowess continued to deepen before her early death. Publication of these two works will finally allow Chung's growing circle of admirers to experience the full range of her skills and sensibility, and will draw many others into that circle. Her poems are an inimitable synthesis of American urban vernacular and imagery, various East Asian and Spanish-language poetics, and a concern for ethnic and feminist cultural and political survival-in-writing that was so vital to American poets around the time that Chung first began to compose. Her always fresh perspective on the worlds around her smoothly shifts through multiple lenses, making wonderful use of her "power to dream in four languages."