Chaucer And Trauma
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Chaucer and Trauma
Trauma is an inescapable condition of Chaucer’s works. From the ravaging of Troy and the abandonment of Dido to the devastating aftereffects of sexual assault, Chaucer portrayed the most unsettling, searing aspects of human experience. While the term “trauma” was not part of Chaucer’s vocabulary, the author was assuredly aware of its causes and consequences, its victims and symptoms. This timely volume explores depictions of violence, victimhood, and overwhelming grief or loss in Chaucer’s most ambitious texts, Troilus and Criseyde and the Canterbury Tales. The authors examine layers of deep emotional suffering in Chaucer’s works, as well as those forces that perpetrate injustices against human beings. The essays scrutinize Chaucer’s narratives through close textual analysis and modern theoretical approaches, offering original perspectives and treating subjects relevant to contemporary concerns—rape, domestic violence, slavery, forced consent, family separation, natural catastrophe, pandemic, and more. Written by leading voices in the field, Chaucer and Trauma is designed to introduce readers of Chaucer to a topic of intense present interest. Along with the volume editors, the contributors include Sarah Baechle, David K. Coley, Suzanne M. Edwards, Carissa M. Harris, Matthew W. Irvin, Kate Koppelman, Samuel F. McMillan, and Lynn Staley.
Father Chaucer and the Apologists
On May 4, 1380, Cecily Chaumpaigne filed a quitclaim with the Chancery in Westminster, releasing the poet Geoffrey Chaucer from any prosecution de raptu meo (on account of my rape). This legal document, lost for centuries, has haunted Chaucer studies since its rediscovery in 1873. Over the past 150 years since it reemerged, many Chaucer scholars have sought to discount, sanitize, or excuse the release. Through a careful examination of the long Chaucer historiography, Sarah Baechle shows how critics have read the question of Chaucer’s potential culpability for rape through prevailing attitudes toward sexual violence. They did so, moreover, in ways that will be very familiar to contemporary readers versed in rape culture—practices that dismiss sexual violence by centering and promoting accused perpetrators, erasing or attacking the victim-survivor, and minimizing the violence of the crime. Baechle pairs the necessary excavation of this critical history with reparative readings of the poet’s narratives of sexual violence, including the Miller’s Tale, the Reeve’s Tale, the Wife of Bath’s Tale, and Troilus and Criseyde, and she theorizes “assailant speech” as a counterpart to survivor speech, proposing it as a new means of understanding Chaucer’s place in feminist studies of the Middle Ages. Father Chaucer and the Apologists is an urgently needed examination of the discourse surrounding Chaumpaigne’s quitclaim that reveals the ties between Chaucer studies and the persistence of rape culture. This book will appeal to students and scholars of Chaucer and of gender and sexual violence more broadly.
Female Desire in Chaucer's Legend of Good Women and Middle English Romance
An examination of female same-sex desire in Chaucer and medieval romance.