Chasing Through Time
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Chasing Lost Time
C. K. Scott Moncrieff’s celebrated translation of Proust’s A La Recherche du Temps Perdu was first published in 1922 and was a work which would exhaust and consume the translator, leading to his early death at the age of just forty. Joseph Conrad told him, ‘I was more interested and fascinated by your rendering than by Proust’s creation’: some literary figures even felt it was an improvement on the original. From the outside an enigma, Scott Moncrieff left a trail of writings that describe a man expert at living a paradoxical life: fervent Catholic convert and homosexual, gregarious party-goer and deeply lonely, interwar spy in Mussolini’s Italy and public man of letters – a man for whom honour was the most abiding principle. He was a decorated war hero, and his letters home are an unusually light take on day-to-day life on the front. Described as ‘offensively brave’, he was severely injured in 1917 and, convalescing in London, became a lynchpin of literary society – friends with Robert Graves and Noel Coward, enemies with Siegfried Sassoon and in love with Wilfred Owen. Written by Scott Moncrieff’s great-great-niece, Jean Findlay, with exclusive access to the family archive, Chasing Lost Time is a portrait of a man hurled into war, through an era when the world was changing fast and forever, who brought us the greatest epic of time and memory that has ever been written.
Metalworking through History
Author: Ana M. Lopez
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2009-04-30
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
Macroevolutionaries
Author: Bruce Lieberman
language: en
Publisher: Columbia University Press
Release Date: 2024-09-03
One of the twentieth century’s great paleontologists and science writers, Stephen Jay Gould was, for Bruce S. Lieberman and Niles Eldredge, also a close colleague and friend. In Macroevolutionaries, they take up the tradition of Gould’s acclaimed essays on natural history, offering a series of wry and insightful reflections on the fields to which they have devoted their careers. Lieberman and Eldredge explore the major features of evolution, or “macroevolution,” examining key issues in paleontology and their links to popular culture, philosophy, music, and the history of science. They focus on topics such as punctuated equilibria, mass extinctions, and the history of life—with detours including trilobites, Hollywood stuntmen, coywolves, birdwatching, and New Haven-style pizza. Lieberman and Eldredge’s essays showcase their deep knowledge of the fossil record and keen appreciation of the arts and culture while touching on different aspects of Gould’s life and work. Ultimately, they show why Gould’s writings and perspective are still relevant today, following his lead in using the natural history essay to articulate their view of evolutionary theory and its place in contemporary life. At once thought-provoking and entertaining, Macroevolutionaries is for all readers interested in paleontology, evolutionary biology, and Gould’s literary and scientific legacy.