Charmless Man Meaning
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Inventing the Myth
Author: Connal Parr
language: en
Publisher: Oxford University Press
Release Date: 2017-07-21
This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of clichéd polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.
Popular Culture and the Austerity Myth
Contemporary popular culture is engaged in a rich and multi-levelled set of representational relations with austerity. This volume seeks to explore these relations, to ask: how does popular culture give expression to austerity; how are its effects conveyed; how do texts reproduce and expose its mythic qualities? It provides a reading of cultural texts in circulation in the present ‘age of austerity’. Through its central focus—popular culture—it considers the impact and influence of austerity across media and textual categories. The collection presents a theoretical deconstruction of popular culture’s reproduction of, and response to, mythical expressions of ‘austerity’ in Western culture, spanning the United Kingdom, North America, Europe and the Middle East and textual events from political media discourse, music, videogames, social media, film, television, journalism, folk art, food, protest movements, slow media and the practice of austerity in everyday life
It Takes A Spy
Time is not on Atticus Wolfe’s side. May 1964 Thrown from present day into the swinging sixties, Atticus Wolfe is on the trail of a Soviet spy set on a path to divert the course of history. He knows how history will play out and will do anything to ensure the USSR is victorious. That’s not all Atticus is battling. He must confront the terrorist who sent him back sixty years, and he’s not quite the man Atticus remembers. As the fight to keep history on track intensifies, Atticus must call on the last group of people he thought he’d ask for help – his crime lord family. Cut off from his beloved MI6, Atticus must unite with younger versions of his gangster father and grandfather to defeat KGB spies and prevent the Soviets from winning the Cold War. A page turner of a novel full of wit and endless twists, It Takes A Spy is definitely not your regular espionage thriller.