Carved In Stone Etched In Memory
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Grief and Sorrow in the Roman World
Author: Anthony Smart
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-12-26
Engaging with the long history of emotions, this book provides a new narrative of how grief was defined, experienced and used in Ancient Rome. From studies of tears and weeping, to Roman funerary monuments and inscriptions, the role of female grief in navigating political conflict, and letters of consolation, Grief and Sorrow in the Roman World explores the language of grief and individuality of sorrow in Rome, and asks how and why they shaped their emotions in this way. Revisiting familiar sources such as Livy and Plutarch it offers new interpretations to place the Roman emotional framework against our own. Can we recognise our own notions of grief in the Ancient World? Do we feel pain in the same way as our Roman ancestors did? Exploring these questions and more, Anthony Smart challenges existing perceptions of grief and sorrow in the Roman world and places emotions at the centre of this rich culture.
The Qur'an Heard
For many Muslims, there is an inseparable connection between sound and meaning, particularly when it comes to Islamic verse and scripture. This provides fertile ground for a comparative study across traditions and forms. Timur Yuskaev offers a meditation on the Qur’an and human sensibilities, heard together, in American Muslim sermons. Foregrounding sound, poetry and music, it is a cultural anthropology of the Qur’an, carried out in conversation with colleagues in multiple disciplines, including Religions in America, Qur’anic, Islamic, Memory, Communication, and Sound Studies. The author draws upon the works of Mikhail Bakhtin, Charles Long, Mary Douglas and many others to hear mysticism in a homiletic symphony by Warith Deen Mohammed, to sense the experience of the covenant in a three-minute, ribbon-cutting speech by Aras Konjhodzic, and to appreciate the Qur’anic musicality of a down-to-earth interfaith address by Sarah Sayeed. A creative guide to an organic engagement with texts, this book will be of particular interest to those studying scriptures and the Qur’an.
Made for the Eye of One Who Sees
Author: Marcus Milwright
language: en
Publisher: McGill-Queen's Press - MQUP
Release Date: 2022-09-10
Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art. Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.