Cannibale Didier


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Historical Companion to Postcolonial Literatures - Continental Europe and its Empires


Historical Companion to Postcolonial Literatures - Continental Europe and its Empires

Author: Prem Poddar

language: en

Publisher: Edinburgh University Press

Release Date: 2008-07-03


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Regional Editors: John Beverley, Charles Forsdick, Pierre-Philippe Fraiture, Ruth Ben-Ghiat, Theo D'haen, Lars Jensen, Birthe Kundrus, Elizabeth Monasterios, Phillip Rothwell. Your complete reference to the postcolonial literatures of Continental European Empires. Written by expert scholars in the fields of postcolonial studies, the entries cover major events, ideas, movements and figures in postcolonial histories. The entries range from the first European overseas the first explorations, settlements and colonies right up to decolonisation. They highlight the relevance of colonial histories to the cultural, social, political and literary formations of contemporary postcolonial societies and nations.By outlining the historical contexts of postcolonial literatures, the companion unlocks contemporary debates about race, colonialism & neo-colonialism, politics, economics, culture and language.

Sport and Society in Global France


Sport and Society in Global France

Author: Cathal Kilcline

language: en

Publisher: Oxford University Press

Release Date: 2019


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This book provides new insights into the evolution of the global sporting spectacle over the last thirty years through an analysis of star athletes, emblematic organisations and key locations in French sport, highlighting how sport has influenced (and been implicated in) debates over nationhood, immigration, commemorative practice, and de-industrialisation.

The Pleasures of Crime


The Pleasures of Crime

Author: David Platten

language: en

Publisher: Rodopi

Release Date: 2011-12


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For 150 years the French public and literati have enjoyed a love affair with crime fiction. This book investigates the nature of this relationship and how through periods of dramatic social and political change in France it has flourished. It challenges the conventional view of a popular genre feeding a niche market, depicting crime fiction instead as a field of creative endeavour, which has gradually matured into one of considerable literary fertility. By inviting us to share secrets and crack codes, creating suspense and (at times) not shirking from presenting horrific events in graphic language, the crime story brings into play the intellect and emotions of its readership. This book explores both this intrinsic literary value of the crime novel and its extrinsic witness to historical events and cultural trends, arguing that these apparently distinct aspects are in fact dynamic, interrelated parts of the same whole. This blend of cultural history with literary analysis allows for the discussion of themes such as politics, memory, the urban environment and youth cultures, mixed with case studies of major French crime writers, including Gaston Leroux, Georges Simenon, Jean-Patrick Manchette, Daniel Pennac and Fred Vargas.