Camera Techniques In Dramatic And Humorous Scenes In Hitchcock S The Lady Vanishes
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Camera Techniques in Dramatic and Humorous Scenes in Hitchcock's "The Lady Vanishes"
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Other, grade: 1,3, University of Koblenz-Landau (Institut für fremdsprachige Philologien, Fachbereich Anglistik / Cultural Studies), course: The Cultural Study of Film - British and American Hitchcock, 11 entries in the bibliography, language: English, abstract: Alfred Hitchcock is, without doubt, one of the most famous film directors in the history of cinema. Many of his movies are still regarded as well-planned and marvellously produced classics; apart from his masterpiece, Psycho, the films made in the 1950s belong to the best-known ones of the 20th century. The appeal of Hitchcock′s films lies, amongst other features, in the narrative camera techniques he uses to integrate the audience directly into the plot action. Pans, cuts, and visual special effects are essentials of his work. The camera techniques contribute in a large degree to Hitchcock succeeding in keeping the audience on tenterhooks and manipulating their perception. The repeated award-winner describes this a structure of film making as follows: "In all my films, about two-thirds of the way through, I try to supply a definite contrast. I take a dramatic situation up and up and up to its peak of excitement and then, before it has time to start the downward curve, I introduce comedy to relieve the tension. After that, I feel safe with the climax. (Sidney Gottlieb, Hitchcock on Hitchcock, London: Faber and Faber, 1997. p. 81) The Lady Vanishes, a Hitchcock movie of 1938, is not an exception to this: Hitchcock mixes a dynamic and surprising plot with elements of comedy and satire. Inhalt der Hausarbeit Es ergibt sich folglich die Frage, ob eine bestimmte Kameraführung in humoristischen und dramatischen Szenen grundsätzlich verwendet wird und aus welchem Grund diese so gut funktioniert. Die Analyse ausgewählter Szenen aus The Lady Vanishes soll hierauf eine Antwort geben, nachdem die Grundzüge der Kameraführung
A Year of Hitchcock
Author: Jim McDevitt
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2009-04-01
Alfred Hitchcock's career spanned more than five decades, during which he directed more than 50 films, many of them indisputable classics: Notorious, Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Psycho, among others. In A Year of Hitchcock: 52 Weeks with the Master of Suspense, authors Jim McDevitt and Eric San Juan provide a comprehensive examination of Hitchcock's film-to-film development, spanning from the beginning of his career in silents to his final film in 1976, including his work on two French propaganda shorts he directed during World War II and segments he directed for Alfred Hitchcock Presents. Organized into 52 chapters and arranged in chronological order, the book invites readers to spend a year with the director's most notable works, all of which are available on DVD. Each film is examined in the context of Hitchcock's career, as the authors consider the themes central to his work; discuss each film's production; comment on the cast, script, and other aspects of the film; and assess the film's value to the Hitchcock viewer. From The Lodger to Family Plot, 68 works directed by Hitchcock are analyzed. Each analysis is supplemented by key film facts, trivia, awards, a guide to his cameos, a filmography, and a listing of available DVD releases. Whether readers decide to undertake the journey through his films one week at a time or pick and choose at their discretion, A Year of Hitchcock will open the eyes of any viewer who wants to better understand this director's evolution as an artist.
Latin Hitchcock
Author: Dona Kercher
language: en
Publisher: Columbia University Press
Release Date: 2015-02-17
This study explores how five major directors—Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro, and Juan José Campanella—modeled their early careers on Hitchcock and his film aesthetics. In shadowing Hitchcock, their works embraced the global aspirations his movies epitomize. Each section of the book begins with an extensive study, based on newspaper accounts, of the original reception of Hitchcock's movies in either Spain or Latin America and how local preferences for genre, glamour, moral issues, and humor affected their success. The text brings a new approach to world film history, showcasing both the commercial and artistic importance of Hitchcock in Spain and Latin America