C L R James And Creolization
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C. L. R. James and Creolization
Author: Nicole King
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2011-01-03
C. L. R. James (1901–1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances.
C. L. R. James and Creolization
Author: Nicole King
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2011-01-01
C. L. R. James (1901–1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances.
Black Empire
Author: Michelle Ann Stephens
language: en
Publisher: Duke University Press
Release Date: 2005-07-18
In Black Empire, Michelle Ann Stephens examines the ideal of “transnational blackness” that emerged in the work of radical black intellectuals from the British West Indies in the early twentieth century. Focusing on the writings of Marcus Garvey, Claude McKay, and C. L. R. James, Stephens shows how these thinkers developed ideas of a worldwide racial movement and federated global black political community that transcended the boundaries of nation-states. Stephens highlights key geopolitical and historical events that gave rise to these writers’ intellectual investment in new modes of black political self-determination. She describes their engagement with the fate of African Americans within the burgeoning U.S. empire, their disillusionment with the potential of post–World War I international organizations such as the League of Nations to acknowledge, let alone improve, the material conditions of people of color around the world, and the inspiration they took from the Bolshevik Revolution, which offered models of revolution and community not based on nationality. Stephens argues that the global black political consciousness she identifies was constituted by both radical and reactionary impulses. On the one hand, Garvey, McKay, and James saw freedom of movement as the basis of black transnationalism. The Caribbean archipelago—a geographic space ideally suited to the free movement of black subjects across national boundaries—became the metaphoric heart of their vision. On the other hand, these three writers were deeply influenced by the ideas of militarism, empire, and male sovereignty that shaped global political discourse in the early twentieth century. As such, their vision of transnational blackness excluded women’s political subjectivities. Drawing together insights from American, African American, Caribbean, and gender studies, Black Empire is a major contribution to ongoing conversations about nation and diaspora.