Bullets

Handgun Bullet Stopping Power

For the law enforcement officer and the civilian who may be in a situation that requires the use of a handgun to stop a lethal threat action, it is important that the person differentiates between the crass, glib and self-serving advertisements of ammunition vendors and the reality of how, what and why effective stopping power occurs. Factors to consider are the physiological response, the psychological response, the time frame parameter and bullet efficacy. Of these four factors, only bullet efficacy can be somewhat controlled by the person, this only by understanding how and to what extent the bullet contributes to the degree of stopping power obtained. A number of concepts / formulae have been included so as to permit the reader to consider their merits and whether or not they are consistent with the reality of biology, physics and other relevant sciences. Finally the material in this book is intended to permit those persons to instruct, teach or make decisions regarding the selection of a service handgun/cartridge combination that will help to provide the means to prevail in a lethal threat confrontation. About the Author: Mr. Bredsten retired from the Federal Law Enforcement Training Center/Firearms Division (FLETC/FAD). With FLETC/FAD he performed duties as a firearms instructor and he also taught ballistics to the FLETC/FAD staff and to students in the Law Enforcement Rifle Training Program and in the Precision Rifle (Sniper) and Observer Program. Subjects covered included the ballistic coefficient, barrel time, the coefficient of reduction (form), Greenhill formula (rate of rifling twist), firearm recoil, bullet time-of-flight, bullet drop, bullet midrange, wind deflection, bullet penetration potential and bullet terminal (wounding) efficacy. Since retiring he has provided ballistics consultation service for the FLETC/FAD, the Transportation Security Agency, the Orange County (Florida) Sheriff's Department and Exxon Mobil Corporation. Mr. Bredsten attended and completed various classes/courses relating to firearms (e.g., H&K MP5, Steyr Aug, Uzi, Tactical Speed Shooting and advanced shotgun) and ballistics (e.g., the first and second International Wound Ballistics Conferences, a Federal Law Enforcement Ammunition and Ballistics Seminar and Oehler's Ballistic Instrumentation). Mr. Bredsten has an AA degree from Chaffey Jr. College and a BA degree from Sacramento State College and currently resides in Georgia.

Information Technology

Mastering InDesign CS3 for Print Design and Production

Mastering InDesign for Print Design and Production shows how experienced professionals with deadlines and billable hours use InDesign efficiently and effectively. Through the case studies and interviews, readers will find inspired to look beyond the over-emphasized basic features and into the depths of InDesign's utility for real-world print design. Most InDesign books are written for beginners, and experienced users are frustrated by them. When you already know how to make, fill, and thread a text box, the entire first half of most InDesign books is useless. But this one doesn't dwell on the basics. Mastering InDesign for Print Design and Production fulfills the promise of the Mastering series, to provide real-world skills to professionals and students. Like all Mastering books, this one includes: A "by pros for pros" approach: The author is an active professional working in the field of graphic arts, layout, and design, writing for professionals who want to improve their skills or learn new skills. Real-world examples: Running throughout the text are examples of how the various skills are applied in real scenarios, described throughout the book in the form of examples and case studies from the author's own design and consulting work, as well as interviews with other designers using InDesign on the job. Skill-based teaching and hands-on exercises Although the book has a comprehensive glossary, page one begins right away speaking to the core market—print professionals—in industry terms about industry challenges. This immediately lets experienced InDesign users know the book is about them. The approach is humorous, making the digestion and retention of complicated information easier for the reader through quips, anecdotes, and design- and print-geek humor. But at all times the book is true to its mission: Helping a professional do their job in InDesign without frustration, confusion, or aesthetic compromise.