Buddhism And Gandhara
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Buddha in Gandhara
Buddha in Gandhara is the saga of ancient Buddhist cities of Gandhara--a region that extended from north-western Pakistan to eastern and north-eastern Afghanistan. It tells stories of cities that once dotted the highroad connecting India with Central Asia and China. It traces the network of Asian trade routes that nourished these cities with goods, people and ideas. It also trains the spotlight on the magnificent art of Gandhara that still clings to the ruins of these heritage cities and also those that are showcased in the museums of Asia and Europe.--Amazon.com.
Gandhāran Buddhism
Author: Pia Brancaccio
language: en
Publisher: University of British Columbia Press
Release Date: 2006
The essays in this book delve into the intriguing realm of Gandharan Buddhism, leveraging recent discoveries and multidisciplinary approaches to deepen our understanding of this ancient region. Scholars examine Gandharan Buddhism from various angles such as archaeology, art history, numismatics, epigraphy, and textual studies, shedding light on its cultural complexity and religious practices. Featuring contributions from prominent experts, this interdisciplinary exploration offers valuable insights for readers interested in early Buddhist traditions, Asian art, and the broader cultural context of South and Central Asia.
The Art of Gandhara in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
language: en
Publisher: Metropolitan Museum of Art
Release Date: 2007
"Ancient Gandhara, located in the rugged foothills of the Himalayas in what is today northwest Pakistan and eastern Afghanistan, was for centuries a thriving center of trade along the Silk Road linking China, South Asia, and the Mediterranean. Gandhara's strategic position and wealth attracted many invaders, including the Greeks, Parthians, and Kushans, who brought with them diverse religious traditions and artistic conventions. Much of Gandharan art is thus a compelling fusion of foreign styles that ultimately gave visual form to the region's Buddhist religious ideals. Buddhism, which had emerged from north India, was embraced by the Gandharan people, whose wealth gave them the means to invest large sums of money in the construction of Buddhist monasteries and sacred areas. More sculpture and architecture made in the service of Buddhism has been found in Greater Gandhara than in any other part of ancient South Asia. Among the earliest remains from Gandhara are luxury items found in urban centers, including intricately carved stone dishes, jewelry, and trade goods carved in bone or ivory, dating from the second century B.C. to the first century A.D. The first art associated with Buddhism dates to the early first century A.D., when carved reliefs embellishing religious architecture began to appear. These reliefs typically illustrate important episodes from the biography of the Buddha, such as his birth, first sermon, and death. Following a gradual decline in the narrative sculptural tradition, devotional images of Buddhas and bodhisattvas began to appear: iconic representations that were meant to be associated with major concepts in the religion. In Gandhara devotional sculptures grew dramatically in size from about the late fourth to early fifth century A.D., at the same time as their iconography became ever more complex. By the late fifth century A.D., the patronage of Buddhist monuments in Gandhara had begun to decline, but in Afghanistan this artistic tradition flourished until about the eighth century A.D. It was during this late phase in Afghanistan when devotional representations of Buddhas and bodhisattvas reached truly monumental proportions, such as the famous Buddhas at Bamiyan. The Metropolitan Museum of Art is fortunate to have in its collections a broad and artistically rich sampling of Gandharan art from almost all phases of the region's history, including a unique bronze statuette of the Buddha Sakyamuni from about the first to second century A.D. In surveying these important works, this volume relies on the lastest scholarship to refine our understanding of Gandhara's complex cultural history as well as its evolving artistic traditions.