Bridging The Interpretive Abyss
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Bridging the Interpretive Abyss
As readers and interpreters, how might our understanding of the New Testament change if, unlike historicism with its colonizing agenda and its focus on ancient contexts, we took contemporary global crises, including mass incarceration, a pervasive culture of torture, the HIV pandemic, and the legacies of enslavement, as our starting point for reading biblical texts? Luis Menéndez-Antuña demonstrates how a cultural studies approach that centers twenty-first-century queer existence and experiences of suffering illuminates rather than obscures ancient New Testament contexts. Each chapter weaves together a biblical text, different works of art, and a political crisis. This hermeneutical approach bridges the abyss between the past and present, the Global North and the Global South, biblical scholarship, humanities, and social sciences. Readers coming to the New Testament text with political and ethical concerns will find new emancipatory strategies, making this volume essential reading for scholars and students.
Locating the Destitute
Author: Stanka Radovic
language: en
Publisher: University of Virginia Press
Release Date: 2014-07-29
While postcolonial discourse in the Caribbean has drawn attention to colonialism’s impact on space and spatial hierarchy, Stanka Radović asks both how ordinary people as "users" of space have been excluded from active and autonomous participation in shaping their daily spatial reality and how they challenge this exclusion. In a comparative interdisciplinary reading of anglophone and francophone Caribbean literature and contemporary spatial theory, she focuses on the house as a literary figure and the ways that fiction and acts of storytelling resist the oppressive hierarchies of colonial and neocolonial domination. The author engages with the theories of Henri Lefebvre, Michel Foucault, and contemporary critical geographers, in addition to selected fiction by V. S. Naipaul, Patrick Chamoiseau, Beryl Gilroy, and Rafaël Confiant, to examine the novelists’ construction of narrative "houses" to reclaim not only actual or imaginary places but also the very conditions of self-representation. Radović ultimately argues for the power of literary imagination to contest the limitations of geopolitical boundaries by emphasizing space and place as fundamental to our understanding of social and political identity. The physical places described in these texts crystallize the protagonists’ ambiguous and complex relationship to the New World. Space is, then, as the author shows, both a political fact and a powerful metaphor whose imaginary potential continually challenges its material limitations.
Paul Auster's Writing Machine
Author: Evija Trofimova
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2014-08-28
Paul Auster is one of the most acclaimed figures in American literature. Known primarily as a novelist, Auster's films and various collaborations are now gaining more recognition. Evija Trofimova offers a radically different approach to the author's wider body of work, unpacking the fascinating web of relationships between his texts and presenting Auster's canon as a rhizomatic facto-fictional network produced by a set of writing tools. Exploring Auster's literal and figurative use of these tools – the typewriter, the cigarette, the doppelgänger figure, the city – Evija Trofimova discovers Auster's “writing machine”, a device that works both as a means to write and as a construct that manifests the emblematic writer-figure. This is a book about assembling texts and textual networks, the writing machines that produce them, and the ways such machines invest them with meaning. Embarking on a scholarly quest that takes her from between the lines of Auster's work to between the streets of his beloved New York and finally to the man himself, Paul Auster's Writing Machine becomes not just a critical investigation but a critical collaboration, raising important questions about the ultimate meaning of Auster's work, and about the relationship between texts, their authors, their readers and their critics.