Breaking Mad
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The Methods of Breaking Bad
Vince Gilligan's Breaking Bad is a central work in the recent renaissance in television-making. The visionary scope and complexity of the series demand rigorous critical analysis. This collection of new essays focuses on a variety of themes. Walter White is discussed as father, psychopath and scientist and as an example of masculinity. The essayists examine the series in terms of gender, neo-liberal politics and health care reform, as well as the more traditional aesthetic categories of narrative construction, experimentation, allusion and genre. With television the dominant artistic medium of early 21st century America, Breaking Bad should be viewed as a superbly designed work reflecting widespread cultural concerns.
Breaking Down Breaking Bad
Author: Matt Wanat
language: en
Publisher: University of New Mexico Press
Release Date: 2016-05-15
The story of Walter White’s transformation from chemistry teacher to drug lord has captured the imagination of television viewers around the world. This collection of essays sets the series in the context of American culture, analyzing its reinvention of classic themes in literature. A protagonist who sets out on a quest and discovers things about himself and the world is a common enough convention in American storytelling. Typically the hero encounters evil along the way and acquires worldly wisdom. Vince Gilligan, the creator of Breaking Bad, offers a dynamic variant of this quest, posing the question of how far a desperate man facing death will go in order to achieve a sense of self and financial security for his family. Going beyond the obvious ethical issues that have preoccupied viewers and critics alike, the essays in this book cut across disciplines, delve deeply into contemporary issues, and explore the pure pleasure and entertainment value of the series.
Masculinity in Breaking Bad
Author: Bridget Roussell Cowlishaw
language: en
Publisher: McFarland
Release Date: 2015-03-14
Following on author Peter Rollins' motto "If it isn't popular, it isn't culture," this collection of new essays considers Vince Gilligan's award-winning television series Breaking Bad as a landmark of Western culture--comparable to the works of Shakespeare and Dickens in their time--that merits scholarly attention from those who would understand early the 21st century zeitgeist. The essayists explore the series as a critique of American concepts of masculinity, with Walter White discussed as a father archetype--provider, protector, author of a legacy--and as a Machiavellian warrior on the capitalist battleground. Other topics include the mutual exclusivity of intellect and masculinity in American culture, and the dramatic irony as White's rationales for his criminal life are gradually revealed as a lie. In "round table" chapters, contributors discuss the show's reception, fans who root for "Team Walt," "Skyler-hating" and Breaking Bad as a feminist text.