Borrow Searches Selfhood In The Digital Age


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The Digital Person


The Digital Person

Author: Daniel J Solove

language: en

Publisher: NYU Press

Release Date: 2004


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Daniel Solove presents a startling revelation of how digital dossiers are created, usually without the knowledge of the subject, & argues that we must rethink our understanding of what privacy is & what it means in the digital age before addressing the need to reform the laws that regulate it.

Searches


Searches

Author: Vauhini Vara

language: en

Publisher: Atlantic Books

Release Date: 2025-05-01


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A BELLETRIST BOOK CLUB PICK One of the New York Times' Nonfiction Books to Read This Spring When Vauhini Vara was fourteen, her sister was diagnosed with cancer. Too terrified to discuss it with a human, Vara instead turned to the fledgling internet with her questions. Those seminal early experiences influenced her decision to become a technology reporter; decades later, she used a predecessor to ChatGPT to help her write about her sister's death. In this provocative, timely and highly personal account of our interdependent relationship with technology, she examines the early days of the internet, the encroachment of social media into our lives and how we might work with AI in the future. Brimming with candour, humour and a probing, roving intelligence, Searches anoints Vara, a Pulitzer Prize finalist, as an essential voice for our moment.

Remediation


Remediation

Author: Jay David Bolter

language: en

Publisher: MIT Press (MA)

Release Date: 1999


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A new framework for considering how all media constantly borrow from and refashion other media. Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.