Borrow Box Office Poison Hollywood S Story In A Century Of Flops
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Box Office Poison
'So entertaining, smart and funny.' DAVID NICHOLLS 'Beautifully written. I really enjoyed it.' MARINA HYDE 'Fascinating.' EMPIRE 'Wildly enjoyable.' GUARDIAN 'Hugely entertaining.' PROSPECT 'Failure fascinates, for all the reasons that success is a drag . . .' In his hugely acclaimed alternative history of Hollywood, Tim Robey leads us through a century of its most notable flops. From Freaks to Land of the Pharaohs, Dune to Speed 2, and Catwoman to Cats - here is the definitive take on these ill-fated, but essential celluloid failures. 'Expertly researched.' SIGHT & SOUND 'A rollicking, gossipy triumph.' DAILY TELEGRAPH 'Amusing and wince-inducing in equal measure.' INDEPENDENT
Hit and Run
Hit and Run tells the improbable and often hilarious story of how two Hollywood film packagers went on a campaign to reinvent themselves as studio executives -- at Sony's expense. Veteran reporters Nancy Griffin and Kim Masters chronicle the rise of Jon Peters, a former hairdresser, seventh-grade dropout, and juvenile delinquent, and his soulless soul mate, Peter Guber -- and all the sex, drugs, and fistfights along the way. It is the story of the ultimate Hollywood con job and the standard by which every subsequent business blunder has been measured. Hit and Run delivers rock-solid business reporting liberally laced with inside gossip and outrageous scandal -- plus a new afterword bringing us up to date on the latest fallout from the Guber-Peters legacy.
Best. Movie. Year. Ever.
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—arguably the most groundbreaking year in American cinematic history. In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s Airport; Wi-Fi; and Netflix’s unlimited DVD rentals. Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s the definitive account of a culture-conquering movie year none of us saw coming…and that we may never see again.