Boogie Down Predictions
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Boogie Down Predictions
Essays that explore the connections between time, representation, and identity within hip-hop culture. "This book, edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey."--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective.
Connective AI
Author: Zizi Papacharissi
language: en
Publisher: Taylor & Francis
Release Date: 2026-05-05
Focusing on social robots, play, and democracy, this volume explores how AI can be used in connective ways to advance the common good and support democratic practice. This innovative collection puts play at the center of how we think about AI and democracy, exploring how playful participation may be used to help restore the creative energies of democracy. Featuring contributions by seasoned experts, the chapters explore topics such as social robots, play, and democracy; polymorphic chatbots and online interactions; AI curation by bot-supported agents and participatory environments; social robots, journalism, and connective action; civility and AI; collaboration between human and robotic agents in democratic spaces; democratic experiments, generative AI, and polymorphic robots; gaming, play, and democratic engagement between humans and nonhumans; and AI, play, and democracy. This book presents new ideas for how connective AI and social robots could be used to help reimagine and improve our everyday lives; specifically, how playful interaction with robotic agents could help revive civic engagement, thus ushering in a new paradigm for connective AI. This book will be of interest to upper-level students, researchers, and scholars across a variety of fields, including media and communication studies, science and technology studies, and political science, particularly those exploring AI and human–computer interaction in relation to democracy and civic life.
Audiofuturism
Author: andré carrington
language: en
Publisher: Fordham Univ Press
Release Date: 2026-04-07
A revelatory history of Black radio productions from the 1950s to the present Audiofuturism uncovers the vibrant, overlooked history of radio adaptations that placed Black speculative writing before mass audiences, showing how sound shaped the politics and pleasures of twentieth- and twenty-first-century culture. While adaptation studies has long privileged film and sound studies has centered Black music, andré m. carrington redirects attention to radio drama to demonstrate how performance translates the Black fantastic imagination into an audible cultural heritage. Drawing on scripts, surviving recordings, production files, and author archives, the book reconstructs how radio made listeners hear literature differently and how those sonic interpretations reverberate through American Studies, media history, and Black literary traditions. Organized as a scan across the dial, the study moves from World War II to the digital age. It begins with New World A-Coming, a wartime series inspired by Roi Ottley that folded antiracist reporting and Popular Front ideals into weekly dramatizations aligned with the Black press’s Double Victory campaign against fascism at home and abroad. It then tunes to bohemian 1960s New York, where Samuel R. Delany’s The Star-Pit became a striking radio play in which voice, silence, and experimental effects stage queer futurity. The book next considers the 2002 Seeing Ear Theatre adaptation of Octavia E. Butler’s Kindred, showing how audible epigraphs drawn from enslaved women’s narratives converse with Butler’s negotiations over dramatic audio rights, and how performance intensifies the novel’s reckoning with slavery and memory. Finally, Audiofuturism listens to the BBC’s 2016 adaptation of Toni Morrison’s Beloved, written by Patricia Cumper, to track how Black British theatre traditions and national broadcasting reshape a canonical American ghost story for twenty-first-century ears. Across these case studies, carrington shows how radio dramatists and authors collaborated, compromised, and innovated to make speculative literature speak. The result is a fresh account of adaptation that enlarges the archive of Black sound, reframes radio as a site of cultural world-making, and invites scholars and general readers to listen again to the past in order to imagine different futures.