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The Tower

Masterful fantasy comes alive as the fifth release in Alaxis Press' The Obscure Cities series brings the award winning graphic novels to readers in English with an all-new translation! Giovanni Batista is a third-class maintainer of the Tower. His section is deteriorating more and more by the day and he has not heard from any of his inspectors or fellow maintainers in months. Running out of supplies and having filed multiple written complaints, he decides to descend to the base. Using a chute of his own making, he crash lands and is found by Elias Aureolus Palingenius and the lovely Milena. He finds a world full of books and people he never knew of, but the mystery of why the Tower was built still nags at Giovanni so he and Milena decide to climb to the top to find answers. The Tower, presented in this new edition, is a fabulous story for the exploration of a deliquescent world, an epic fable to the dimensions of world-building, a fantastic escape full of paradoxes, simulacra, and pretense. Magnificent mastery, invention, and poetry, this is undoubtedly one of the most beautiful jewels of the exciting saga of the OBSCURE CITIES.

The Novelist as Philosopher

The Hunter Gracchus

Written in 1917 during his stay in Prague's Alchimistengasse, The Hunter Gracchus remained unfinished and was published posthumously by Max Brod in 1931. The story emerged during a period when Kafka's tuberculosis had begun to manifest, lending particular weight to its themes of death suspended between worlds. The fragmentary text exists in multiple versions, suggesting Kafka struggled to find the right form for this tale of a hunter trapped between life and death. The narrative centers on Gracchus, a Black Forest hunter who died falling from a cliff while pursuing chamois, but whose death-ship lost its way and now drifts eternally between the worlds of the living and the dead. When he arrives in the port of Riva, he explains his condition to the town's mayor: "My death boat went wrong - a wrong turn of the helm, a moment's absence of mind by the pilot, a distraction from my wonderful homeland, I don't know what it was." This liminal state - neither fully alive nor properly dead - captures the particular horror of conscious existence trapped in endless transition, unable to reach either shore. The port of Riva serves as more than setting - it functions as a threshold space where the boundaries between life and death become permeable. Gracchus's conversations with the mayor reveal how his eternal wandering has transformed him into a kind of living paradox: conscious of his death yet unable to complete it, forever arriving in ports but never reaching a destination. The text's unfinished state mirrors its theme of incompletion, as if the story itself shares Gracchus's inability to reach a final resting place. Maritime imagery throughout the fragments suggests Kafka's preoccupation with voyage and stasis, movement that never achieves true progress. The hunter's condition resonates with the Jewish experience of diaspora, while also pointing toward more universal questions about consciousness trapped between being and nonbeing. This modern translation from the original German is a fresh, accessible and beautifully rendered text that brings to life Kafka's great literary work. This edition contains extra amplifying material including an illuminating afterword, a timeline of Kafka's life and works alongside of the historical events which shaped his art, and a short biography, to place this work in its socio-historical context.