Boethius On Aristotle On Interpretation 4 6
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Boethius: On Aristotle on Interpretation 4-6
Boethius (c. 480-c. 525) was a Christian philosopher and author of many translations and works of philosophy, most famously the Consolations of Philosophy which were probably written when he was under house arrest, having been accused of treason by King Theoderic the Great. He was subsequently executed. On Interpretation is the second part of the Organon, as Aristotle's collected works on logic are known; it deals comprehensively and systematically with the relationship between logic and language. In his first six chapters, Aristotle defines name, verb, sentence, statement, affirmation and negation. Boethius preserves lost interpretations by two of the greatest earlier interpreters, Alexander and Porphyry, and the defence of the work's authenticity against criticism. He records the idea of Porphyry that Aristotelians believe in three types of name and verb, written, spoken and mental, in other words a language of the mind. Boethius' commentary formed part of his project to bring knowledge of Plato and Aristotle to the Latin-speaking world. It had great influence, remaining the standard introduction to On Interpretation throughout the Latin Middle Ages.
Ars Notoria: The Notory Art of Solomon
A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.
Boethius on Mind, Grammar and Logic
Boethius (c.480-c.525/6), who is best known for his Consolation of Philosophy, has been accused of misinterpreting Aristotle’s logical works in his translations and commentaries thereof. Building on recent scholarship in the philosophy of late antiquity, this book challenges some of the past interpretations of Boethius and reveals significant features of his semantics and logic. With comparisons between his and contemporary arguments and attention to the terminology of late antiquity, this work is of use to those interested in semantics, logic and grammar from antiquity to the modern day. Furthermore, this book’s new conclusions aim to reinvigorate interest in this much-maligned and poorly understood philosopher.