Body In The Books
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Body in the Books
Sometimes, owning a bookstore can be murder. When Nora Jones inherits a dusty old bookshop from her estranged uncle, she moves to St. Augustine to tie up loose ends and maybe learn a bit about the man she never knew. Only what first appeared to be a heart attack turns out to be murder, and there’s no shortage of suspects. The detective assigned to the case might be handsome and charming, but Nora’s convinced he’s chasing down the wrong lead. With her newly-inherited Greyhound named Margo and a quirky band of friends in tow, Nora decides to track down the killer. She finds herself in a race to solve the murder before she becomes the next body in the books. Body in the Books is the first installment of the Nora Jones cozy mystery series. You won’t want to miss this humorous whodunit that’s being likened to Scooby Doo for grownups.
Body of Work
Poetry. Women's Studies. "I once wrote to a poetry advice column because I was afraid of my emotions and the havoc they wreaked on me. I called them 'a huge problem' but Diana Hamilton comforted me and wrote: 'Feeling pleasure is a legitimate way of developing as a person-writer!' We got a kitten and I tried to write poems for her. Or some other (many) times I had a thought and realised I shouldn't say it out loud only to find myself speaking it. When these turned to poems. Could there be a poet in the sense of a hare or another graceful creature or perhaps bitter and less warm-blooded..."--Elena Gomez
Books of the Body
Author: Andrea Carlino
language: en
Publisher: University of Chicago Press
Release Date: 1999-12-15
We usually see the Renaissance as a marked departure from older traditions, but Renaissance scholars often continued to cling to the teachings of the past. For instance, despite the evidence of their own dissections, which contradicted ancient and medieval texts, Renaissance anatomists continued to teach those outdated views for nearly two centuries. In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development. A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.