Bing Homiy Feedback Answers Red Light District Bangalore
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Mitigation of Greenhouse Gas Emissions in Livestock Production
Author: Pierre J. Gerber
language: en
Publisher: Food & Agriculture Organization of the UN (FAO)
Release Date: 2013
The current analysis was conducted to evaluate the potential of nutritional, manure and animal husbandry practices for mitigating methane (CH4) and nitrous oxide (N2O) - i.e. non-carbon dioxide (CO2) - GHG emissions from livestock production. These practices were categorized into enteric CH4, manure management and animal husbandry mitigation practices. Emphasis was placed on enteric CH4 mitigation practices for ruminant animals (only in vivo studies were considered) and manure mitigation practices for both ruminant and monogastric species. Over 900 references were reviewed; simulation and life cycle assessment analyses were generally excluded
The Little Warrior
Author: P. G. Wodehouse
language: en
Publisher: Otbebookpublishing
Release Date: 2015-12-27
"The Little Warrior" was the US title of the British publication "Jill, The Reckless" by P. G. Wodehose. The heroine here, Jill Mariner, is a young woman from the lower end of the upper class. We follow her through financial disaster, a broken engagement, an awkward stay with some grasping relatives, employment as a chorus girl, and of course, the finding of true love. (Excerpt from Wikipedia)
Cinemas Dark and Slow in Digital India
This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.