Billionaire Heiress Transformation Story
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Billionaire Wilderness
Author: Justin Farrell
language: en
Publisher: Princeton University Press
Release Date: 2021-03-02
"Offers an unprecedented look inside the world of the ultra-wealthy and their relationship to the natural world, showing how the ultra-rich use nature to resolve key predicaments in their lives. Justin Farrell immerses himself in Teton County, Wyoming ... to investigate interconnected questions about money, nature, and community in the twenty-first century. Farrell draws on three years of in-depth interviews with 'ordinary' millionaires and the world's wealthiest billionaires, four years of in-person observation in the community, and original quantitative data to provide ... analytical insight on the ultra-wealthy. He also interviewed low-income workers who could speak to their experiences as employees for and members of the community with these wealthy people"--
Homicide at Rough Point
Cielo Drive cuts like a beautiful scar along the bottom of a V-shaped canyon in the hills of Bel Air, off of Benedict. In February, 1969, as she looked out on it from the red farmhouse at 10050 Cielo she and her husband Roman Polanski had just rented, Sharon had no way of knowing that she only had 6 months to live. On the night of August 9th, members of "The Manson Family" would invade that house and murder Sharon and three of her closest friends. But strangely, half a year earlier, she'd had a brush with a different killer. It happened after her younger sister Patti, then 11, looked across at the ominous Spanish-Moorish estate Sharon called "The Haunted House." In "Restless Souls," their remarkable memoir, Alisa Statmen and Brie Tate write that Patti then hiked down and across Cielo, walking up to No. 1436 Bella Drive. There, she encountered an open gate where white pillars bore the name: Falcon Lair. Once the home of Rudolf Valentino, it had been purchased in 1953 by the fabulously wealthy heiress Doris Duke. The wrought iron gates were open when Patti wandered inside. Suddenly, she heard, the caretaker yell, "This is private property!" Startled, she turned and lost her balance, skinning her knee, when just then, a black limo pulled in. A tinted window went down and a tall woman in back lowered her sunglasses to ask who she was. Once she ID'd herself as Patti, whose sister Sharon lived "across in the red barn," Doris knew that this wasn't just any child. She was the sibling of the hottest young star in town. So Doris snapped to the caretaker, "Stop being such an ogre and bring Patti in, so we can clean those scraps. And get me the Polanski's phone number." Later, the Duke staff was bandaging Patti's knee when Sharon arrived, "nervously chewing her lower lip" and apologizing to the blond billionaire who was the 3rd richest woman in the world behind Queen Elizabeth & Queen Juliana. But by then, Sharon Tate was Hollywood royalty herself; her husband Roman, coming off "Rosemary's Baby," was a kind of cinematic prince. So why was she nervous? What would make her bite her lip in the face of a woman whose caretaker's aggressive warning had caused her little sister to draw blood? Since Sharon was killed that summer, we'll never know. But one thing is clear: this wasn't the first time Sharon Tate had been pulled into Doris Duke's orbit. 2 1/2 years earlier, one of Sharon's closest friends, Eduardo Tirella, had been violently killed after Doris crushed him under a two-ton station wagon. At the time, all of Eduardo's friends suspected he'd been murdered. The brutal stabbing of Sharon Tate is the tragic tale of a young woman of great promise cut down in the prime of life. But the same could be said for Eduardo, whose own Hollywood career was just catching fire, when he told the possessive, heiress he was leaving her, just minutes before she ran him down outside the gates of her Newport, RI estate. Because she had the money and power, Doris Duke succeeded in effectively erasing his death from the narrative of her troubled life. For more than 50 years, the real truth behind what happened at Rough Point in 1966 has been hidden. Until now!
Re-Constructing the Man of Steel
In this book, Martin Lund challenges contemporary claims about the original Superman’s supposed Jewishness and offers a critical re-reading of the earliest Superman comics. Engaging in critical dialogue with extant writing on the subject, Lund argues that much of recent popular and scholarly writing on Superman as a Jewish character is a product of the ethnic revival, rather than critical investigations of the past, and as such does not stand up to historical scrutiny. In place of these readings, this book offers a new understanding of the Superman created by Jerry Siegel and Joe Shuster in the mid-1930s, presenting him as an authentically Jewish American character in his own time, for good and ill. On the way to this conclusion, this book questions many popular claims about Superman, including that he is a golem, a Moses-figure, or has a Hebrew name. In place of such notions, Lund offers contextual readings of Superman as he first appeared, touching on, among other ideas, Jewish American affinities with the Roosevelt White House, the whitening effects of popular culture, Jewish gender stereotypes, and the struggles faced by Jewish Americans during the historical peak of American anti-Semitism. In this book, Lund makes a call to stem the diffusion of myth into accepted truth, stressing the importance of contextualizing the Jewish heritage of the creators of Superman. By critically taking into account historical understandings of Jewishness and the comics’ creative contexts, this book challenges reigning assumptions about Superman and other superheroes’ cultural roles, not only for the benefit of Jewish studies, but for American, Cultural, and Comics studies as a whole.