Between The Memory And Post Memory Of Communism In Romania
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Between the Memory and Post-Memory of Communism in Romania
The first of its kind, this book traces the construction of post-memory in post-communist Romania. Focusing on the processes, gaps, agents, and contradictions of post-memory, it examines a range of topics across a variety of disciplines, addressing questions of museums and musealization, law and memory, political trials and retrospective justice, and post-memory in a digital context, while also considering marginalized and forgotten voices, such as those of the Roma population and abandoned children. Moving away from a focus on the institutional mechanisms of transitional justice or officially sanctioned historical narratives, Between the Memory and Post-Memory of Communism in Romania brings together some of the leading voices in the field of memory studies in Romania to adopt a more pluralistic and diverse approach to the communist past. It will therefore appeal to scholars of sociology, anthropology, museum studies, and history with interests in the communist period in Eastern Europe.
Transitional Justice in Post-Communist Romania
This is the first volume to overview the complex Romanian transitional justice effort, detail the political negotiations that have led to the adoption and implementation of relevant legislation, and assess these processes in terms of their timing, sequencing, and impact on democratization.
Art, Religion and Resistance in (Post-)Communist Romania
Author: Maria Alina Asavei
language: en
Publisher: Springer Nature
Release Date: 2020-10-22
This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.