Berserk 34
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Berserk Volume 34
Faced with the Kushan emperor's horrific new form and the bloody swath of destruction and spawning demons he leaves in his wake with every step, the soldiers in Griffith's new Band of the Hawk must assume their true unholy forms to battle the emperor, revealing their true faces to the citizens of Midland. How will these tormented refugees react when they discover that their would-be rescuers are as monstrous as their enemies? And could this titanic confrontation threaten to unleash even greater horrors upon the human world? FOR MATURE READERS.
The Viking Age
Author: Angus A. Somerville
language: en
Publisher: University of Toronto Press
Release Date: 2025-02-28
The fourth edition of The Viking Age provides an extensive deep dive into the world of the Vikings, spanning from the eighth and ninth centuries to the present, while also featuring key scholarly interpretations from the late twentieth and early twenty-first centuries. Building on the structure and content of previous editions, nearly every chapter has been reworked and expanded, with the addition of an entirely new chapter on commerce and trade. This edition broadens the range of materials while preserving the innovations of earlier editions and advancing them in new directions. In The Viking Age, readers are submerged in a comprehensive exploration of the Viking era, covering essential topics such as the role of women in Viking society, the significance of slavery in the Viking economy, commerce and trade, the use of Arabic sources, Viking religion, fertility gods, guardian spirits, the exploits of the Norse kings of Man and the Isles, the importance of Scandinavian and maritime law, the enduring legacy of the Vikings, and more. This extensively revised edition ultimately brings the Vikings and their world to life for twenty-first-century students and instructors.
Extravagant Camp
Winner of the 2023-2024 CLAGS Fellowship Award Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chris A. Eng explores how camp and encampment have contoured the figure of the Asian American. The book follows campy performances that imaginatively restage the camps that have been central to dominant narratives of Asian American history: Chinese railroad labor, Japanese American incarceration, Vietnam War refugee resettlement, and counterinsurgency camps across US imperial entanglements in the Philippines. Illuminating an eclectic ensemble of performances that grapple with Asian American history—from classical works in the Asian American literary tradition to emerging works of theater and film—Extravagant Camp uncovers Asian American camp as a prevalent yet underappreciated cultural strategy for contesting accounts of Asian American racialization that overly rely on terms of abjection. Theorizing Asian American camp as both a performance strategy and reading practice, Eng examines how artists drag up the maligned racial roles of the coolie, the internee, the refugee, and the diva to make different sense of these histories. Extravagant Camp shows how Asian American camp takes on queerness as a resource to enliven modes of joy, beauty, and pleasure within structures of constraint, revealing the types of power camp retrieves for racialized communities in the face of abjection. Geared toward the extravagant, Asian American camp demands a recognition of queer abjection not as the basis for our undoing, but rather the grounds for a more radical social remaking.