Beneath The Surface Chinese Drama
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Crisis and Transformation in China's Hong Kong
Hong Kong has undergone sweeping transformation since its return to Chinese sovereignty in 1997. This is a multidisciplinary assessment of the new regime and key issues, challenges, crises and opportunities confronting the Hong Kong Special Administrative Region (HKSAR).
China Resurrected
Author: Frans-Paul van der Putten
language: en
Publisher: Bloomsbury Publishing
Release Date: 2025-06-12
China's rise to superpower is seemingly a modern phenomenon, but it has a long history. This book follows China's geopolitical transformation on the world stage, from struggling to defend herself against the British in the Opium Wars, to rivalling the United States for supremacy. What started as a response to Europe's colonial influence has gradually become China's quest to take a leading role on the word stage. But how did this happen? And what kind of actor is China as a global great power? The answers to these questions lie in how China has been shaped by its changing relationships with major world powers over the last two centuries. Arguing that a series of military defeats in the Opium Wars, Boxer Crisis and Japanese occupation led to a deep-rooted national sense of geopolitical vulnerability, van der Putten shows how this imbalance of power has resulted in Chinese distrust and uncertainty, even after it ceased to be prey to imperialist powers. Tracing China's relations with other major powers over the last 185 years, China Resurrected shows how they have influenced the way in which China itself has become a leading power, and what this means for its relations with the West.
Postsocialist Conditions
In Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critique of China’s “Independent Cinema” by the sixth-generation auteurs. By showing the multi-valence of the postsocialist conditions in contemporary Chinese society, their films articulate a new cultural-political logic in postsocialist China, which is also the logic of the market in this era of neoliberal transformation, brought about by the forces of marketization since the late 1980s. The directors laudably show the spirits of humanism and the humanitarian concerns of the underclass, yet the shortage and repudiation of class analysis prohibits the artists from exploring the social contradictions and the cause of class restructuration.