Being Uncle Charlie
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Uncle Charlie
Raw, unflinching images that tell the story of one man's struggle with mental illness, poverty, drug addiction, and profound isolation
Being Uncle Charlie
Author: Bob Deasy
language: en
Publisher: National Geographic Books
Release Date: 2014-10-28
Being Uncle Charlie is the intense, intimate and graphic story of one Canadian undercover cop who spent two decades infiltrating organized crime. From Russian and Italian mafias to notorious biker gangs, Bob Deasy gained access to and the acceptance of criminals who most cops in any country would never encounter or arrest, let alone befriend. Bob Deasy had an illustrious twenty-three-year career with the Ontario Provincial Police. Using little more than his quick wits, natural confidence and a deft mental equilibrium that allowed him to stay three chess moves ahead of his quarry, Deasy was the secret weapon behind some of the signature crime busts in Canadian history. Infiltrating the biker gangs and the Russian and Italian mobs, he also single-handedly set up international import-export businesses, faked contract hit jobs and executed one of the largest drug buys in OPP history. He also perfected the now controversial "Mr. Big" technique of posing as a crime kingpin to solicit unwitting confessions from suspects in long-dormant cold murder cases--a tactic he defends as he practised it, and with which he enjoyed a 100% success rate. Being Uncle Charlie is a nail-biting ride--sometimes comic, always entertaining--that reads like a one-man history of modern crime, told through the ground-level, insider's perspective of a cop who was able to blend in with the unsavoury, the desperate and the diabolical.
The Suspense Thriller
This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller. The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis. The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of more than 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.