Bed Of Crimson Joy
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Hang-Gliding from Helicon
When Daniel Hoffman published a brief volume of selected poems in England, the Times Literary Supplement praised “his zestful verbal performance, supple use of rhyme and other sound effects” that “make the processes of his writing interesting.” That same vitality and interest inform Hang-Gliding from Helicon, which presents more than forty new poems and a generous selection from six of Hoffman’s previous books. Commenting on the most recent of these in the Southern Review, Monroe K. Spears wrote, “Hoffman’s new volume seems to me to establish his claim to the title of major poet.” In the New Republic, Josephine Jacobsen observed: “Three major strands knit into a strong texture: myth, history, and immediate experience . . . What he once wrote of Robert Graves is true of his own work: both combine ‘A Dionysian compulsion to belief with an Apollonian clarity of presentation.’” In the opening piece of this volume, entitled “The Poem,” Hoffman writes: True to itself, by what craft And strength it has, it has come As a sole survivor returns From the steep pass. Carved on memory’s staff The legend is nearly decipherable. It has lived up to its vows If it endures The journey through the dark places To bear witness, Casting its message In a sort of singing. Hoffman’s poetry is a celebration of life, yet some of his poems have dark implications. “The City of Satisfactions” is a journey into the haunted heart of the American dream. “The Center of Attention” portrays a suicidal man being taunted by a crowd to jump from a bridge, and “Witnesses” explores the aftermath of a car wreck on a desolate stretch of rural highway. Each of Hoffman’s poems represents a striking response to the moments of being alive. Hang-Gliding from Helicon affirms the power of poetry to make possible the acceptance and transformation of life. Daniel Hoffman has given us a remarkable statement of his deep poetic faith.
Interpretation and Meaning in Philosophy and Religion
Interpretation and Meaning in Philosophy and Religion synthesizes cutting-edge philosophical reflections on interpretation with their application to religion. For this, new theoretical insights on interpretation by Krausz, Lamarque, Leddy, Hagberg, and Gibson are examined. Topics cover multiplism (i.e. interpretative pluralism), the goal of interpretation and its starting point. These concepts are then studied in relation to the practice of interpreting religious texts. For example, Grube proposes that the action-relevance of religious interpretations limits the possibility of tolerating divergent interpretations, Karrer-Grube challenges Lamarque’s insistence on a firm starting point, and Gokhale challenges Krausz by arguing that Vedantic practices of interpretation are non-multiplist.
Language, Literature and the Learner
Language, Literature and the Learner is an edited volume evolving from three international seminars devoted to the teaching of literature in a second or foreign language. The seminars explicitly addressed the interface between language and literature teaching to investigate the ways in which literature can be used as a resource for language growth at secondary, intermediate and upper-intermediate level. This book presents the reader with a practical classroom-based guide to how the teaching of language and literature, until recently seen as two distinct subjects within the English curriculum, can be used as mutually supportive resources within the classroom. Through essays and case studies it reports on the most recent developments in classroom practice and methodology and suggests ways in which the curriculum could be reshaped to take advantage of this integrated approach. The text will be essential reading for students undertaking PGCE, TESOL/MA, UCLES, CTEFLA, RSA and Teachers' Diploma courses worldwide. Students of applied linguistics, those on stylistics courses and undergraduates studying English language will welcome it as accessible supplementary reading.