Bartleby The Scrivener Analysis
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Grammardog Guide to Bartleby the Scrivener
Grammardog Teacher's Guide contains 16 quizzes for this story set in the early days of Wall Street. All sentences are from the short story. Figurative language describes Bartleby as "a bit of wreckage in the mid-Atlantic" and "a millstone" to his boss. Allusions mention tycoon John Jacob Astor and geographical locations such as Broadway, Jersey City and Hoboken.
The Pathology of Bartleby
Author: Oliver Steinert-Lieschied
language: en
Publisher: GRIN Verlag
Release Date: 2010-03-10
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,4, University of Göttingen, language: English, abstract: When Melville wrote "Bartleby, The Scrivener", he was in a state of intense despair and a feeling of rejection had come over him because his former works such as "Moby Dick" and "Pierre" had not received the attention and appreciation he had expected. Many critics consider Melville‘s failure to reach the contemporary readership to have influenced his later works such as the "Piazza Tales" (Dan McCall, The Silence Of Bartleby., p. 38). Some even regard the figure of Bartleby as a personification of the author (Robert Rogers, A Psychoanalytic Reading Of The Double In Literature. Detroit/Michigan: Wayne State Univ. Press, 1970, p. 67-68). Most critics agree that Bartleby is one of the most interesting characters of nineteenth century literature, also from a psychological point of view. In contrast to religious, philological or other approaches, psychoanalytic criticism is an especially anachronistic approach: Melville did not have the means of modern psychology to describe and explain such illnesses as schizophrenia, autism and similar personality disorders. "Bartleby, The Scrivener" is a fictional work of art while a psychological explanation of Bartleby’s illness is scientific. In psychoanalytic criticism there are three possible objects of analysis: The author (a so-called psycho-biographical approach), the fictional characters and the readership (Oxford Encycl 823). My main focus will be on the figure of Bartleby along with the narrator who is considered by some critics to be a „psychological double“ of Bartleby and vice-versa (Rogers, Psychological Double, p. 67). Firstly, I will draw a rough summary of the transition from moral philosophy to psychology and situate Melville in that historical context and show how this influenced his worldview and accordingly, his works. Then I will make brief definitions of the mental illnesses schizophrenia and autistic disorder which are relevant for my textual analysis. The main body of this work will be the textual (psycho-)analysis of "Bartleby, The Scrivener", where I will try to determine in how far Bartleby is mentally ill, how Melville reflects this fact in his language and imagery and which role the narrator plays in this context.
Going Home Through Seven Paths to Nowhere
This book is one of those rare combinations of intellectual brilliance, stylistic clarity, and sheer verve. The book contains a series of major works of American short fiction by Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Henry James as occasions for a mode of reading in which the readers aim is to establish an intimate relationship with the special arrangement of words in a text, governed by a trust in a happy coincidence of moments in which one might recognize the words relevance to ones life. Dr. Kllay calls this a good encounter, a term she adopts from the writings of philosopher Stanley Cavell. In her detailed, theoretical introduction, Dr. Kllay lays bare her scholarly debt, primarily to the writings of Cavell himself and to the work of literary critic Wolfgang Iser, as she further develops and clarifies the idea of the good encounter. Here she identifies the good encounter with a particular trope, which appears within the tales themselves, and which also