Balthasar At End Of Modernity
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Balthasar at End of Modernity
With a Foreword by Fergus Kerr and an Afterword by Rowan WilliamsIn an age when theology appears fragmented as never before, this volume intends to show how von Balthasar is one of the very few contemporary theologians to have demonstrated how the patterns and resources of the Christian tradition have extraordinary pertinence today.The authors represent a new generation of Anglican theologians sympathetic to von Balthasar's thought, exploring it both in order to discover its fundamental dynamics and to see how it may be brought into new dialogues.The authors represent the 'Radical Orthodoxy' movement in Anglican theology, and are sympathetic to von Balthasar's thought, exploring it both in order to discover its fundamental dynamics and to see how it may be brought into new dialogues.
The Eschatology of Hans Urs von Balthasar
The unifying centre of Nicholas J. Healy's book is an analysis, in dialogue with the metaphysics of Thomas Aquinas, of Balthasar's understanding of the analogy of being. This discussion of analogy is framed by an interpretation of Balthasar's trinitarian eschatology. Healy shows that the ultimate form of the end, and thus the measure of all that is meant by eschatology, is given in Christ's eucharistic and pneumatic gift of himself - a gift that simultaneously lays bare the mystery of God's trinitarian life and enables Christ to 'return' to the Father in communion with the whole of creation.
Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought
Author: Jennifer Newsome Martin
language: en
Publisher: University of Notre Dame Pess
Release Date: 2015-09-15
In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian’s complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar’s critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism. Martin argues that Balthasar’s creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.