Ballad Format
Download Ballad Format PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Ballad Format book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Ballad Format
Ballad Format explores how ballads, often seen as simple folk songs, actually served as vital tools for preserving historical narratives in oral traditions. It examines the deliberate factual designs embedded within these musical forms, revealing how societies encoded and transmitted their past. The book delves into the structural elements of ballads and the techniques used to ensure memorability, challenging the notion that these songs were mere entertainment. Discover how specific melodic patterns and rhythmic devices aided in the preservation of historical detail, turning ballads into carefully crafted historical documents. The book progresses through three key sections: establishing the core concepts of ballad structure, investigating memorability techniques like rhyme and repetition, and synthesizing these findings to understand how ballads function as historical records. By analyzing ballad texts and musical elements, the book demonstrates how oral traditions shaped social memory. Case studies from diverse cultures, including medieval Europe and indigenous America, illustrate varied approaches to ballad composition. Ultimately, Ballad Format offers a unique integrated approach, combining musicology and historical analysis to reveal the intricate link between ballad form and historical preservation. It demonstrates how analyzing the musical framework of ballads provides new insights into how societies used music to encode and transmit their past while also offering a methodology for analyzing ballads as historical sources.
Habent sua fata libelli
Habent sua fata libelli honors the work of Craig Kallendorf, offering studies in several fields in which he chiefly distinguished himself: the history of the book and reading, the classical tradition and reception studies, Renaissance humanism, and Virgilian scholarship with a special focus on the creative transformation of the Aeneid through the centuries. The volume is rounded out by an appreciation of Craig Kallendorf, including a review of his scholarship and its significance. In addition to the topics mentioned above, the volume’s twenty-five contributions are of relevance to those working in the fields of classical philology, Neo-Latin, political philosophy, poetry and poetics, printing and print culture, Romance languages, art history, translation studies, and Renaissance and early modern Europe generally. Contributors: Alessandro Barchiesi, Susanna Braund, Hélène Casanova-Robin, Jean-Louis Charlet, Federica Ciccolella, Ingrid De Smet, Margaret Ezell, Edoardo Fumagalli, Julia Gaisser, Lucia Gualdo Rosa, James Hankins, Andrew Laird, Marc Laureys, John Monfasani, Timothy Moore, Colette Nativel, Marianne Pade, Lisa Pon, Wayne Rebhorn, Alden Smith, Sarah Spence, Fabio Stok, Richard Thomas, and Marino Zorzi.
Ballads and Broadsides in Britain, 1500-1800
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.